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| 001 | 184394 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150221.0 | ||
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| 008 | 240625t20192018nyu fo d z eng d | ||
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_a9780231127400 _qprint |
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_a9780231548380 _qPDF |
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| 024 | 7 |
_a10.7312/jung12740 _2doi |
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| 035 | _a(DE-B1597)9780231548380 | ||
| 035 | _a(DE-B1597)517733 | ||
| 035 | _a(OCoLC)1078993664 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPT2619.U43 _bS813 2018 |
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| 072 | 7 |
_aHIS027100 _2bisacsh |
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| 082 | 0 | 4 |
_a838/.91207 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aJünger, Ernst _eautore |
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| 245 | 1 | 2 |
_aA German Officer in Occupied Paris : _bThe War Journals, 1941-1945 / _cErnst Jünger. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c[2019] |
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| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aEuropean Perspectives: A Series in Social Thought and Cultural Criticism | |
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tFOREWORD -- _tTRANSLATORS’ PREFACE -- _t1. FIRST PARIS JOURNAL -- _t2. NOTES FROM TH E CAUCASUS -- _t3. SECOND PARIS JOURNAL -- _t4. KIRCHHORST DIARIES -- _tNOTES -- _tGLOSSARY OF PROPER NAMES -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aErnst Jünger was one of twentieth-century Germany’s most important—and most controversial—writers. Decorated for bravery in World War I and the author of the acclaimed western front memoir Storm of Steel, he frankly depicted war’s horrors even as he extolled its glories. As a Wehrmacht captain during World War II, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat—writings that are of major historical and literary significance.Jünger’s Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. While working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict the chaos after Stalingrad and atrocities on the eastern front. Upon returning to Paris, Jünger observed the French resistance and was close to the German military conspirators who plotted to assassinate Hitler in 1944. After fleeing France, he reunited with his family as Germany’s capitulation approached. Both participant and commentator, close to the horrors of history but often distancing himself from them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving fresh insights into the quandaries of the twentieth century from the keen pen of a paradoxical observer. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 |
_aAuthors, German _y20th century _vDiaries. |
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| 650 | 7 |
_aHISTORY / Military / World War II. _2bisacsh |
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| 700 | 1 |
_aHansen, Abby J. _eautore |
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| 700 | 1 |
_aHansen, Thomas S. _eautore |
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| 700 | 1 |
_aNeaman, Elliot _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7312/jung12740 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231548380 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231548380/original |
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_c184394 _d184394 |
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