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001 184472
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008 240625t20192019nyu fo d z eng d
020 _a9780231191593
_qprint
020 _a9780231549455
_qPDF
024 7 _a10.7312/arch19159
_2doi
035 _a(DE-B1597)9780231549455
035 _a(DE-B1597)517744
035 _a(OCoLC)1105859010
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004000
_2bisacsh
082 0 4 _a384/.80979494
_223
084 _aonline - DeGruyter
100 1 _aArcher, Neil
_eautore
245 1 0 _aTwenty-First-Century Hollywood :
_bRebooting the System /
_cNeil Archer.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2019]
264 4 _c©2019
300 _a1 online resource :
_b16 b&w illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aShort Cuts
505 0 0 _tFrontmatter --
_tCONTENTS --
_tACKNOWLEDGEMENTS --
_tINTRODUCTION: REBOOTED? --
_t1. WHY CAN’T HOLLYWOOD RELY ON FLYING SAUCERS? INDUSTRY, AUDIENCE AND FRANCHISE LOGIC --
_t2. WHAT DOES HOLLYWOOD REALLY LIKE ABOUT COMIC BOOKS? STRUCTURE AND STYLE IN MARVEL’S CINEMATIC UNIVERSE --
_t3. IS HOLLYWOOD SAVING THE WORLD, OR IS THE WORLD SAVING HOLLYWOOD? INDUSTRIAL AUTHORSHIP AND EXPERIMENTAL BLOCKBUSTERS --
_t4. WHY ARE THE MOST GROWN-UP FILMS MADE FOR CHILDREN? WAYS OF PLAYING IN THE FAMILY FILM --
_tFILMOGRAPHY --
_tBIBLIOGRAPHY --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aTwenty-First-Century Hollywood looks into the contexts of studio film production in the new century in order to understand what shapes the style and content of present-day cinema. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored in the contemporary climate by producers and audiences alike. Neil Archer critically explores the narrative and aesthetic strategies at work in Hollywood’s most high-profile films, from Harry Potter, to Marvel’s Cinematic Universe, to The Lego Movie. Along the way, the book answers some often unexpected questions: Why is Hollywood nervous about flying saucers? Why might the cinematic auteur be Hollywood’s savior? And why are the most grown-up movies those made for children? As this study shows, like the films themselves, the answers to these questions are often complex and surprising.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aBlockbusters (Motion pictures)
_xProduction and direction
_zCalifornia
_zLos Angeles.
650 0 _aMotion picture industry
_zCalifornia
_zLos Angeles
_xHistory
_y21st century.
650 0 _aMotion pictures
_xProduction and direction
_zCalifornia
_zLos Angeles.
650 0 _aSuperhero films
_xProduction and direction
_zCalifornia
_zLos Angeles.
650 7 _aPERFORMING ARTS / Film & Video / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/arch19159
856 4 0 _uhttps://www.degruyter.com/isbn/9780231549455
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231549455/original
942 _cEB
999 _c184472
_d184472