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008 220302t20192019nyu fo d z eng d
010 _a2018054005
020 _a9780231191623
_qprint
020 _a9780231549486
_qPDF
024 7 _a10.7312/yomo19162
_2doi
035 _a(DE-B1597)9780231549486
035 _a(DE-B1597)526815
035 _a(OCoLC)1090397085
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1993.5.J3
_bN542513 2019
050 4 _aPN1993.5.J3
_bN542513 2019eb
072 7 _aPER004030
_2bisacsh
084 _aonline - DeGruyter
100 1 _aInuhiko, Yomota
_eautore
245 1 0 _aWhat Is Japanese Cinema? :
_bA History /
_cYomota Inuhiko.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2019]
264 4 _c©2019
300 _a1 online resource :
_b36 b&w film stills
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tNote on Names and Film Titles --
_tPreface to the English Translation --
_tIntroduction --
_t1. Motion Pictures: 1896-1918 --
_t2. The Rise of Silent Film: 1917-1930 --
_t3. The First Golden Age: 1927-1940 --
_t4. Japanese Cinema During Wartime --
_t5. Film Production in the Colonies and Occupied Lands --
_t6. Japanese Cinema Under American Occupation: 1945-1952 --
_t7. Toward a Second Golden Age: 1952-1960 --
_t8. Upheaval Amid Steady Decline: 1961-1970 --
_t9. Decline and Torpor: 1971-1980 --
_t10. The Collapse of the Studio System: 1981-1990 --
_t11. The Indies Start to Flourish: 1991-2000 --
_t12. Within a Production Bubble: 2001-2011 --
_tNotes --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWhat might Godzilla and Kurosawa have in common? What, if anything, links Ozu's sparse portraits of domestic life and the colorful worlds of anime? In What Is Japanese Cinema? Yomota Inuhiko provides a concise and lively history of Japanese film that shows how cinema tells the story of Japan's modern age.Discussing popular works alongside auteurist masterpieces, Yomota considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in its historical, technological, and global contexts. Yomota shows how Japanese film has been shaped by traditonal art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry's rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Yomota provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography. An incisive and opinionated history, What Is Japanese Cinema? is essential reading for admirers and students of Japan's contributions to the world of film.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aMotion pictures
_zJapan
_xHistory.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
700 1 _aKaffen, Philip
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/yomo19162
856 4 0 _uhttps://www.degruyter.com/isbn/9780231549486
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231549486/original
942 _cEB
999 _c184474
_d184474