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008			220302t20192019nyu fo d z eng d
010			_a2018042870
020			_a9780231191890 _qprint
020			_a9780231549561 _qPDF
024	7		_a10.7312/lepi19188 _2doi
035			_a(DE-B1597)9780231549561
035			_a(DE-B1597)526841
035			_a(OCoLC)1051779081
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	1	0	_aN3350
072		7	_aSOC026000 _2bisacsh
082	0	4	_a708.947086 _223
084			_aonline - DeGruyter
100	1		_aLépinay, Vincent Antonin _eautore
245	1	0	_aArt of Memories : _bCurating at the Hermitage / _cVincent Antonin Lépinay.
264		1	_aNew York, NY : _bColumbia University Press, _c[2019]
264		4	_c©2019
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tPREFACE. Experimenting with the Hermitage -- _tINTRODUCTION. The Hermitage, a Cultural Laboratory -- _t1. MOVING OBJECTS -- _t2. DOCUMENTING THE MUSEUM -- _t3. ART HISTORY FROM THE COLLECTIONS UP -- _t4. THE NOSTALGIC MODESTY OF HERMITAGE RESTORERS -- _t5. GUIDES: Taking Science Down the Galleries -- _t6. SPACES AND SURPRISES: Technologies of Vision for a Long Winter -- _tCONCLUSION: Secreting Memories -- _tACKNOWLEDGMENTS -- _tNOTES -- _tREFERENCES -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aOnce the home of Catherine the Great's private art collection, Russia's State Hermitage Museum became the largest museum in the Soviet Union and, since the collapse of the USSR, one of the most active museums in the world. The Hermitage is a global model for the collection and preservation of fine art, deeply shaped by its need to protect itself and its holdings from the world beyond its gates. In Art of Memories, Vincent Antonin Lépinay documents the Hermitage's curatorial practices in an innovative consideration of the museum as a cultural laboratory.Lépinay analyzes the tensions between the museum as a space of exploration of the collections and as a culture heavily invested in self-protection from the outside world. During a time when traveling abroad was rare, a generation of art historians produced a culture of confined scholarship premised on their proximity to the holdings of a museum enclave. As the Hermitage has become increasingly present on the world museum scene, its culture of secrecy and orality has endured. Lépinay analyzes the ethos of Hermitage curators and scholars over the transition from Soviet to post-Soviet museum cultures, considering the mobility of art, documentation of the collection, and the transformation of expertise. Based on Lépinay's extraordinary access to the Hermitage and the scholars who work there, Art of Memories opens the door of one of the world's great museums to reveal how art history is made. It is an essential study for readers interested in the role that outside forces play in culture, organizations, and the production of knowledge.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aArt museums _xSocial aspects _zRussia (Federation) _zSaint Petersburg.
650		0	_aCorporate culture _zRussia (Federation) _zSaint Petersburg.
650		7	_aSOCIAL SCIENCE / Sociology / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/lepi19188
856	4	0	_uhttps://www.degruyter.com/isbn/9780231549561
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231549561/original
942			_cEB
999			_c184480 _d184480