000			04533nam a22005535i 4500
001			184483
003			IT-RoAPU
005			20221214232127.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220302t20192019nyu fo d z eng d
010			_a2018041901
020			_a9780231191975 _qprint
020			_a9780231549592 _qPDF
024	7		_a10.7312/murp19196 _2doi
035			_a(DE-B1597)9780231549592
035			_a(DE-B1597)526871
035			_a(OCoLC)1099347946
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1993.5.U6 _bM79 2019
072		7	_aPER004050 _2bisacsh
082	0	4	_a791.430973 _223
084			_aonline - DeGruyter
100	1		_aMurphy, J. J. _eautore
245	1	0	_aRewriting Indie Cinema : _bImprovisation, Psychodrama, and the Screenplay / _cJ. J. Murphy.
264		1	_aNew York, NY : _bColumbia University Press, _c[2019]
264		4	_c©2019
300			_a1 online resource : _b42 b&w film stills
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aFilm and Culture Series
505	0	0	_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tINTRODUCTION. ACROSS THE SPECTRUM: FROM IMPROVISATION TO PSYCHODRAMA -- _t1. AND I HATE ACTORS: THE NEW AMERICAN CINEMA -- _t2. LET'S NOT PHONY IT UP ANYMORE: THE FILMS OF JOHN CASSAVETES -- _t3. PLACE-BASED REALISM: MACKENZIE, LODEN, AND BURNETT -- _t4. EXPERIMENTS IN PSYCHODRAMA: MEKAS, WARHOL, CLARKE, AND MAILER -- _t5. HUMAN LIFE ISN'T NECESSARILY WELL-WRITTEN: WILLIAM GREAVES'S SYMBIOPSYCHOTAXIPLASM: TAKE ONE AND TAKE 2½ -- _t6. BEYOND THE METHOD: ABEL FERRARA AND HARVEY KEITEL -- _t7. TIED TO A MACHINE: THE FILMS OF GUS VAN SANT -- _t8. I LIKE HOW YOU TALK: THE FILMS OF JOE SWANBERG -- _t9. IMPROVISATION AND PLACE: PUTTY HILL, STAND CLEAR OF THE CLOSING DOORS, AND THE FILMS OF SEAN BAKER -- _t10. REDISCOVERING PSYCHODRAMA: FROWNLAND, HEAVEN KNOWS WHAT, AND STINKING HEAVEN -- _t11. THE LINE BETWEEN REALITY AND STAGING: ACTOR MARTINEZ, ACTRESS, AND THE WITNESS -- _tCONCLUSION: BLENDING FICTION AND DOCUMENTARY -- _tNOTES -- _tBIBLIOGRAPHY -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aMost films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer's own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practices.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aIndependent films _zUnited States _xHistory and criticism.
650		0	_aMotion picture plays, American _xHistory and criticism.
650		7	_aPERFORMING ARTS / Film & Video / Screenwriting. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/murp19196
856	4	0	_uhttps://www.degruyter.com/isbn/9780231549592
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231549592/original
942			_cEB
999			_c184483 _d184483