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003			IT-RoAPU
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008			240625t20192019nyu fo d z eng d
020			_a9780231193702 _qprint
020			_a9780231550468 _qPDF
024	7		_a10.7312/poch19370 _2doi
035			_a(DE-B1597)9780231550468
035			_a(DE-B1597)541725
035			_a(OCoLC)1135431569
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPL747.53.E36
072		7	_aLIT008030 _2bisacsh
082	0	4	_a895.63/3093538 _223
084			_aonline - DeGruyter
100	1		_aPoch, Daniel _eautore
245	1	0	_aLicentious Fictions : _bNinjō and the Nineteenth-Century Japanese Novel / _cDaniel Poch.
264		1	_aNew York, NY : _bColumbia University Press, _c[2019]
264		4	_c©2019
300			_a1 online resource : _b5 illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tABBREVIATIONS -- _tIntroduction -- _tPART I. Ninjō and the Early- Modern Novel -- _tChapter One. From Ninjō to the Ninjōbon: Toward the Licentious Novel -- _tChapter Two. Questioning the Idealist Novel: Virtue and Desire in Nansō Satomi hakkenden -- _tPART II. The Age of Literary Reform -- _tChapter Three. Translating Love in the Early- Meiji Novel: Ninjōbon and Yomihon in the Age of Enlightenment -- _tChapter Four. Historicizing Literary Reform: Shōsetsu shinzui, Translation, and the Civilizational Politics of Ninjō -- _tChapter Five. The Novel’s Failure: Shōyō and the Aporia of Realism and Idealism -- _tPART III: LATE- MEIJI QUESTIONINGS -- _tChapter Six Ninjō and the Late- Meiji Novel: Recontextualizing Sōseki’s Literary Project -- _tEpilogue -- _tNOTES -- _tBIBLIOGRAPHY -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aNineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō—literally “human emotion,” but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction’s capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots.In Licentious Fictions, Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into new cultural and literary concepts. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aEmotions in literature.
650		0	_aEthics in literature.
650		0	_aJapanese fiction _y19th century _xHistory and criticism.
650		7	_aLITERARY CRITICISM / Asian / Japanese. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/poch19370
856	4	0	_uhttps://www.degruyter.com/isbn/9780231550468
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231550468/original
942			_cEB
999			_c184541 _d184541