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| 001 | 184651 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232135.0 | ||
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| 008 | 221201t20202021nyu fo d z eng d | ||
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_a9780231552202 _qPDF |
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| 024 | 7 |
_a10.7312/peru19750 _2doi |
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| 035 | _a(DE-B1597)9780231552202 | ||
| 035 | _a(DE-B1597)566394 | ||
| 035 | _a(OCoLC)1154131807 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aPHI034000 _2bisacsh |
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| 082 | 0 | 4 |
_a641.2/2 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aPerullo, Nicola _eautore |
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| 245 | 1 | 0 |
_aEpistenology : _bWine as Experience / _cNicola Perullo. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c[2020] |
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| 264 | 4 | _c©2021 | |
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aArts and Traditions of the Table: Perspectives on Culinary History | |
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tNOTE FOR THE READER -- _tACKNOWLEDGMENTS -- _tI WINE AND THE CREATIVITY OF TOUCH -- _tPROLOGUE -- _t1 MEETING WITH WINE -- _t2 HAPTIC TASTE -- _t3 THE CREATIVITY OF TOUCH -- _t4 THE LANGUAGES OF WINE, ALL OF THEM -- _tII TASTE AS A TASK -- _t5 REESTABLISHING BONDS -- _t6 WITHOUT A THEME -- _t7 WITHOUT METHOD -- _t8 WITHOUT COMPETENCY -- _t9 WITHOUT JUDGMENT -- _t10 TASTE IS NOT A SENSE BUT A TASK -- _t11 STORIES WITHOUT INSTRUCTIONS -- _t12 TERROIR IS THE WORLD -- _t13 INEBRIATION AND INTOXICATION -- _tNOTES -- _tBIBLIOGRAPHICAL NOTE -- _tESSENTIAL BIBLIOGRAPHY -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aWe think we know how to appreciate wine—trained connoisseurs take dainty sips in sterile rooms and provide ratings based on objective knowledge and technical expertise. In Epistenology, Nicola Perullo vigorously challenges this approach, arguing that it is the enjoyment of drinking wine as an active and participatory experience that matters.Perullo argues that wine comes to life not in the abstract space of the professional tasting but in the real world of shared experiences; wines can change in these encounters, and drinkers along with them. Just as a winemaker is not simply a producer but a nurturer, a wine is fully known only through an encounter among a group of drinkers in a specific place and time. Wine is not an object to analyze but an experience to make, creatively opening up new perceptual possibilities for settings, cuisines, and companions.The result of more than twenty years of research and practical engagement, Epistenology presents a new paradigm for the enjoyment of wine and through it a philosophy based on participatory and relational knowledge. This model suggests a profound shift—not knowledge about but with wine. Interweaving philosophical arguments with personal reflections and literary examples, this book is a journey with wine that shows how it makes life more creative and free. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | _aWine tasting. | |
| 650 | 7 |
_aPHILOSOPHY / Social. _2bisacsh |
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| 653 | _adrinking wine. | ||
| 653 | _aphilosophy of wine. | ||
| 653 | _asocial drinking. | ||
| 653 | _awine tasting. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7312/peru19750 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231552202 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231552202/original |
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_c184651 _d184651 |
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