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001			184659
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008			221201t20202021nyu fo d z eng d
020			_a9780231552318 _qPDF
024	7		_a10.7312/so--19772 _2doi
035			_a(DE-B1597)9780231552318
035			_a(DE-B1597)566427
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPS153.N5 _bS63 2021
072		7	_aLAN027000 _2bisacsh
082	0	4	_a813/.609896073 _223
084			_aonline - DeGruyter
100	1		_aSo, Richard Jean _eautore
245	1	0	_aRedlining Culture : _bA Data History of Racial Inequality and Postwar Fiction / _cRichard Jean So.
264		1	_aNew York, NY : _bColumbia University Press, _c[2020]
264		4	_c©2021
300			_a1 online resource : _b17 b&w illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tINTRODUCTION -- _t1. PRODUCTION: ON WHITE PUBLISHING -- _t2. RECEPTION: MULTICULTURALISM OF THE 1 PERCENT -- _t3. RECOGNITION: LITERARY DISTINCTION AND BLACKNESS -- _t4. CONSECRATION: THE CANON AND RACIAL INEQUALITY -- _tCONCLUSION -- _tNOTES -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe canon of postwar American fiction has changed over the past few decades to include far more writers of color. It would appear that we are making progress—recovering marginalized voices and including those who were for far too long ignored. However, is this celebratory narrative borne out in the data?Richard Jean So draws on big data, literary history, and close readings to offer an unprecedented analysis of racial inequality in American publishing that reveals the persistence of an extreme bias toward white authors. In fact, a defining feature of the publishing industry is its vast whiteness, which has denied nonwhite authors, especially black writers, the coveted resources of publishing, reviews, prizes, and sales, with profound effects on the language, form, and content of the postwar novel. Rather than seeing the postwar period as the era of multiculturalism, So argues that we should understand it as the invention of a new form of racial inequality—one that continues to shape the arts and literature today.Interweaving data analysis of large-scale patterns with a consideration of Toni Morrison’s career as an editor at Random House and readings of individual works by Octavia Butler, Henry Dumas, Amy Tan, and others, So develops a form of criticism that brings together qualitative and quantitative approaches to the study of literature. A vital and provocative work for American literary studies, critical race studies, and the digital humanities, Redlining Culture shows the importance of data and computational methods for understanding and challenging racial inequality.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650		0	_aAmerican fiction _xAfrican American authors _xHistory and critcism.
650		0	_aAmerican fiction _y20th century _xHistory and criticism.
650		0	_aAuthors and publishers _zUnited States _xHistory _y20th century.
650		0	_aDiscrimination in employment _zUnited States.
650		0	_aLiterature and society _zUnited States _xHistory _y20th century.
650		0	_aLiterature publishing _xPolitical aspects _zUnited States _xHistory _y20th century.
650		0	_aLiterature _xData processing.
650		0	_aRace discrimination _zUnited States _xHistory _y20th century.
650		7	_aLANGUAGE ARTS & DISCIPLINES / Publishing. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/so--19772
856	4	0	_uhttps://www.degruyter.com/isbn/9780231552318
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231552318/original
942			_cEB
999			_c184659 _d184659