000 03990nam a22005055i 4500
001 184759
003 IT-RoAPU
005 20221214232140.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 221201t20212021nyu fo d z eng d
020 _a9780231554091
_qPDF
024 7 _a10.7312/mill20142
_2doi
035 _a(DE-B1597)9780231554091
035 _a(DE-B1597)600416
035 _a(OCoLC)1226809443
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPHI001000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aMiller, Jason
_eautore
245 1 4 _aThe Politics of Perception and the Aesthetics of Social Change /
_cJason Miller.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2021]
264 4 _c©2021
300 _a1 online resource :
_b7 b&w illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aColumbia Themes in Philosophy, Social Criticism, and the Arts
505 0 0 _tFrontmatter --
_tCONTENTS --
_tACKNOWLEDGMENTS --
_t1. THE CULTURAL TURN --
_t2. RETHINKING THE CLAIMS OF CULTURE --
_t3. IMAGINING AGENCY --
_t4. THE AESTHETICS OF RECOGNITION --
_t5. IMAGINATION AND INTERPRETATION AFTER THE “END OF ART” --
_tNOTES --
_tBIBLIOGRAPHY --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere.Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote—or even inaccessible—from their own. Miller offers a timely response to questions such as: How does contemporary art’s politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically?Discussing a wide range of works of art and popular culture—from Antigone to Do the Right Thing and The Wire—this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art’s capacity to effect social change.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650 0 _aArt and social action.
650 0 _aArts and society.
650 0 _aGroup identity.
650 7 _aPHILOSOPHY / Aesthetics.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/mill20142
856 4 0 _uhttps://www.degruyter.com/isbn/9780231554091
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231554091/original
942 _cEB
999 _c184759
_d184759