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| 001 | 184768 | ||
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_aPN50 _b.F55 2021 |
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_aLIT024050 _2bisacsh |
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| 082 | 0 | 4 |
_a809/.93358 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aFilreis, Al _eautore |
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| 245 | 1 | 0 |
_a1960 : _bWhen Art and Literature Confronted the Memory of World War II and Remade the Modern / _cAl Filreis. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c[2021] |
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| 264 | 4 | _c2021 | |
| 300 | _a1 online resource | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tPreface -- _tPart 1. Emerging from the Night of the Word -- _t1 An Introduction to the Survivor: New Contexts for Genocide -- _t2 Pain- Laden Rhymes: Challenges to Narrative and the Radical “Writing I” -- _t3 Openings of the Field: Deep Memory and Its Counterwords -- _tPart 2. The End of the End of Ideology -- _t4 Absurd Judgment: Auden, Arendt, Eichmann, and the Kafka Revival -- _t5 Oppose the Anti- Everything: Zero Art and the Hopeful Leap -- _t6 Adjustment and Its Discontents: Aleatory Art vs. Cold War Deradicalization -- _t7 Disaster Defies Utterance: Arts of the Unsayable -- _t8 Thaw Poetics: Folk Revival, Radical Unoriginality, and the Old Word Witness -- _t9 Abomunism: Wars Within Wars in American Poetry -- _t10 Favorite Things -- _tNotes -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aIn 1960, when World War II might seem to have been receding into history, a number of artists and writers instead turned back to it. They chose to confront the unprecedented horror and mass killing of the war, searching for new creative and political possibilities after the conservatism of the 1950s in the long shadow of genocide.Al Filreis recasts 1960 as a turning point to offer a groundbreaking account of postwar culture. He examines an eclectic group of artistic, literary, and intellectual figures who strove to create a new language to reckon with the trauma of World War II and to imagine a new world. Filreis reflects on the belatedness of this response to the war and the Holocaust and shows how key works linked the legacies of fascism and antisemitism with American racism. In grappling with the memory of the war, he demonstrates, artists reclaimed the radical elements of modernism and brought forth original ideas about testimony to traumatic history.1960 interweaves the lives and works of figures across high and popular culture—including Chinua Achebe, Hannah Arendt, James Baldwin, Amiri Baraka, Paul Celan, John Coltrane, Frantz Fanon, Roberto Rossellini, Muriel Rukeyser, Rod Serling, and Louis Zukofsky—and considers art forms spanning poetry, fiction, memoir, film, painting, sculpture, teleplays, musical theater, and jazz. A deeply interdisciplinary cultural, literary, and intellectual history, this book also offers fresh perspective on the beginning of the 1960s. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) | |
| 650 | 0 |
_aAvant-garde (Aesthetics) _xHistory _y20th century _2DLC. |
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| 650 | 0 |
_aAvant-garde (Aesthetics) _xHistory _y20th century. |
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| 650 | 0 |
_aLiterature and history _xHistory _y20th century _2DLC. |
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_aLiterature and history _xHistory _y20th century. |
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_aLiterature, Experimental _y20th century _xHistory and criticism _2DLC. |
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_aLiterature, Experimental _y20th century _xHistory and criticism. |
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| 650 | 0 |
_aNineteen sixty, A.D _2DLC. |
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| 650 | 0 | _aNineteen sixty, A.D. | |
| 650 | 0 |
_aWar Word II 1939-1945 _xInfluence _2DLC. |
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| 650 | 0 |
_aWorld War, 1939-1945 _xInfluence. |
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| 650 | 7 |
_aLITERARY CRITICISM / Modern / 20th Century . _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231554299 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231554299/original |
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_c184768 _d184768 |
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