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_a791.430233092 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 4 |
_aThe Cinema of Terry Gilliam : _bIt's a Mad World / _ced. by Jeff Birkenstein, Anna Froula, Karen Randell. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c[2013] |
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| 264 | 4 | _c©2013 | |
| 300 |
_a1 online resource (256 p.) : _b15 B&W |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 | _aDirectors' Cuts | |
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_tFrontmatter -- _tContents -- _tAcknowledgements -- _tNotes on Contributors -- _tIntroduction. Fear and Loathing in Hollywood: Looking at Terry Gilliam through a Wide-angle Lens -- _tTerry Gilliam Interview -- _t1. Steampunked: The Animated Aesthetics of Terry Gilliam in Jabberwocky and Beyond -- _t2. Grail Tales: The Preoccupations of Terry Gilliam -- _t3. 'And Now for Something Completely Different': Pythonic Arthuriana and the Matter of Britain -- _t4. The Baron, the King and Terry Gilliam's Approach to 'the Fantastic -- _t5. The Subversion of Happy Endings in Terry Gilliam's Brazil -- _t6. The Fissure King: Terry Gilliam's Psychotic Fantasy Worlds -- _t7. 'You can't change anything': Freedom and Control in Twelve Monkeys -- _t8. 'It shall be a nation': Terry Gilliam's Exploration of National Identity, Between Rationalism and Imagination -- _t9. 'Won't somebody please think of the children?': The Case for Terry Gilliam's Tidelands -- _t10. Divorced from Reality: Time Bandits in Search of Fulfilment -- _t11. Celebrity Trauma: The Death of Heath Ledger and The Imaginarium of Doctor Parnassus -- _tFilmography -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aTerry Gilliam has been making movies for more than forty years, and this volume analyzes a selection of his thrilling directorial work, from his early films with Monty Python to The Imaginarium of Doctor Parnussus (2009). The frenetic genius, auteur, and social critic continues to create indelible images on screen--if, that is, he can get funding for his next project. Featuring eleven original essays from an international group of scholars, this collection argues that when Gilliam makes a movie, he goes to war: against Hollywood caution and convention, against American hyper-consumerism and imperial militarism, against narrative vapidity and spoon-fed mediocrity, and against the brutalizing notion and cruel vision of the "American Dream." | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 |
_aMotion picture producers and directors _zGreat Britain. |
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| 650 | 0 |
_aPERFORMING ARTS _xFilm & Video _xDirection & Production. |
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| 650 | 0 |
_aPERFORMING ARTS _xFilm & Video _xHistory & Criticism. |
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| 650 | 7 |
_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh |
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| 700 | 1 |
_aBirkenstein, Jeff _eautore _ecuratore |
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| 700 | 1 |
_aCanavan, Gerry _eautore |
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| 700 | 1 |
_aFroula, Anna _eautore _ecuratore |
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| 700 | 1 |
_aFurby, Jacqueline _eautore |
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| 700 | 1 |
_aHaivry, Ofir _eautore |
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| 700 | 1 |
_aHamel, Keith James _eautore |
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| 700 | 1 |
_aHolte, Jim _eautore |
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| 700 | 1 |
_aHood, Tony _eautore |
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| 700 | 1 |
_aLaity, Kathryn A. _eautore |
|
| 700 | 1 |
_aMelton, Jeffrey _eautore |
|
| 700 | 1 |
_aRandell, Karen _eautore _ecuratore |
|
| 700 | 1 |
_aSterling, Eric _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7312/birk16534 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231850384 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231850384/original |
| 942 | _cEB | ||
| 999 |
_c184871 _d184871 |
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