000 04500nam a22006975i 4500
001 184877
003 IT-RoAPU
005 20221214232145.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220302t20092009nyu fo d z eng d
019 _a(OCoLC)999378396
020 _a9781906660178
_qprint
020 _a9780231850476
_qPDF
024 7 _a10.7312/boul6018
_2doi
035 _a(DE-B1597)9780231850476
035 _a(DE-B1597)468925
035 _a(OCoLC)948804689
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004030
_2bisacsh
082 0 4 _a791.43/655
_223
084 _aonline - DeGruyter
245 0 0 _aNeo-Noir /
_ced. by Mark Bould, Greg Tuck, Kathrina Glitre.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2009]
264 4 _c©2009
300 _a1 online resource (272 p.) :
_b16 illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tNotes on Contributors --
_tForeword: 'If Only My Leg Didn't Itch' --
_tParallax Views: An Introduction --
_t1. Under the Neon Rainbow: Colour and Neo-Noir --
_t2. Audio-Noir: Audiovisuality in Neo-Modernist Noir --
_t3. Paranoia and Nostalgia: Sonic Motifs and Songs in Neo-Noir --
_t4. The End of Work: From Double Indemnity to Body Heat --
_t5. Worlds Without Consequence: Two Versions of Film Noir in the 1980s --
_t6. From Lonely Streets to Lonely Rooms: Prefiguration, Affective Responses and the Max Payne Single-Player --
_t7. The New Lower Depths: Paris in French Neo-Noir Cinema --
_t8. The Shadow of Outlaws in Asian Noir: Hiroshima, Hong Kong and Seoul --
_t9. British Neo-Noir and Reification: Croupier and Dirty Pretty Things --
_t10. Laughter in the Dark: Irony, Black Comedy and Noir in the Films of David Lynch, the Coen Brothers and Quentin Tarantino --
_t11. A Woman Scorned: The Neo-Noir Erotic Thriller as Revenge Drama --
_t12. Neo-Noir's Fatal Woman: Stardom, Survival and Sharon Stone --
_t13. Fatality Revisited: The Problem of 'Anxiety' in Psychoanalytic-Feminist Approaches to Film Noir --
_t14. The Thin Men: Anorexic Subjectivity in Fight Club and The Machinist --
_t15. Memento: Pasting Ourselves Together Through Cinema --
_tFilmography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aNeo-noir knows its past. It knows the rules of the game - and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the US, UK, France, Japan, South Korea, Hong Kong and New Zealand; key figures, such as David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; major conventions, such as the femme fatale, paranoia, anxiety, the city and the threat to the self; and the use of sound and colour.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aFilm noir
_xHistory and criticism.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
700 1 _aBould, Mark
_eautore
_ecuratore
700 1 _aFeasey, Rebecca
_eautore
700 1 _aFreedman, Carl
_eautore
700 1 _aGallafent, Edward
_eautore
700 1 _aGlitre, Kathrina
_eautore
_ecuratore
700 1 _aGordon, Suzy
_eautore
700 1 _aHanson, Helen
_eautore
700 1 _aHodges, Mike
_eautore
700 1 _aLee, Hyangjin
_eautore
700 1 _aMiklitsch, Robert
_eautore
700 1 _aThomas, Deborah
_eautore
700 1 _aTuck, Greg
_eautore
_ecuratore
700 1 _aVincendeau, Ginette
_eautore
700 1 _aVint, Sherryl
_eautore
700 1 _aWayne, Mike
_eautore
700 1 _aWilliams, Linda Ruth
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/boul6018
856 4 0 _uhttps://www.degruyter.com/isbn/9780231850476
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231850476/original
942 _cEB
999 _c184877
_d184877