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010 _a2013498466
019 _a(OCoLC)931855594
020 _a9780231167314
_qprint
020 _a9780231850506
_qPDF
024 7 _a10.7312/godd16730
_2doi
035 _a(DE-B1597)9780231850506
035 _a(DE-B1597)458892
035 _a(OCoLC)862940310
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1998.3.R85
_bG63 2013
050 4 _aPN1998.3.R85
_bG6 2015
072 7 _aPER004030
_2bisacsh
082 0 4 _a791.430233092
_223
084 _aonline - DeGruyter
100 1 _aGoddard, Michael
_eautore
245 1 4 _aThe Cinema of Raúl Ruiz :
_bImpossible Cartographies /
_cMichael Goddard.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2013]
264 4 _c©2013
300 _a1 online resource (224 p.) :
_b25
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aDirectors' Cuts
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tIntroduction: A New Cartographer? --
_tChapter One. Ruiz'S Cinema In The 1960S And 1970S --
_tChapter Two. The Cinema of Piracy, the Sea and Spectral Voyages: Ruiz'S Neo-Baroque Cinema of the 1980S --
_tChapter Three. Cartographies of Complexity: Ruiz'S 'French' Cinema Since the Mid-1990S --
_tConclusion. Ruizian Cartography from Chile to the Cosmos via the Littoral, or the Film to Come --
_tAppendix: Raúl Ruiz Interview (Paris, November, 2009) --
_tSelect Filmography --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aRaúl Ruiz, while considered one of the world's most significant filmmakers by several film critics, is yet to be the subject of any thorough engagement with his work in English. This volume sets out on this task by mapping, as fully as possible, Ruiz's cinematic trajectory across more than five decades of prolific work, up to his death in 2011; ranging from his earliest work in Chile to high-budget 'European' costume dramas culminating in Mysteries of Lisbon (2010). It does so by treating Ruiz's work-with its surrealist, magic realist, popular cultural, and neo-Baroque sources-as a type of 'impossible' cinematic cartography, mapping real, imaginary, and virtual spaces, and crossing between different cultural contexts, aesthetic strategies, and technical media. It argues that across the different phases of Ruiz's work identified, there are key continuities such as the invention of singular cinematic images and the interrogation of their possible and impossible combinations.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aMotion picture producers and directors
_zChile.
650 0 _aRuiz, Raaul - Criticism and interpretation.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/godd16730
856 4 0 _uhttps://www.degruyter.com/isbn/9780231850506
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231850506/original
942 _cEB
999 _c184879
_d184879