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008 220302t20142014nyu fo d z eng d
020 _a9780231167352
_qprint
020 _a9780231850520
_qPDF
024 7 _a10.7312/szan16734
_2doi
035 _a(DE-B1597)9780231850520
035 _a(DE-B1597)458523
035 _a(OCoLC)979909990
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1998.3.S596
072 7 _aPER004030
_2bisacsh
082 0 4 _a791.430233092
_223
084 _aonline - DeGruyter
100 1 _aSzaniawski, Jeremi
_eautore
245 1 4 _aThe Cinema of Alexander Sokurov :
_bFigures of Paradox /
_cJeremi Szaniawski.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2014]
264 4 _c©2014
300 _a1 online resource (256 p.) :
_b20
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aDirectors' Cuts
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tPreface --
_tIntroduction: The Fragment and the Infinite, or, the Hypothesis of the Third Term in the Cinema of Alexander Sokurov --
_t1. Lonely Voice of Man: Singular Murmurs, Multiple Echoes --
_t2. Mournful Insensitivity: The Apocalypse of the Modern --
_t3. Days of the Eclipse: 'Adieu, Babylone'; Adieu, Tarkovsky --
_t4. Save and Protect: Of Angels and Flies --
_t5. The Second Circle: Winter, Light, and the Intimate Sublime --
_t6. The Stone: No Way Home --
_t7. Whispering Pages: Death, Nothingness, Memory --
_t8. Mother and Son: Time Abolished, Time Transfigured --
_t9. Moloch: Adi (and Eve): Fear Eats the Soul --
_t10. Taurus: 'Father, where art thou?' --
_t11. Russian Ark: Imperial Elegy --
_t12. Father and Son: Beyond Absolute Intimacy --
_t13. The Sun: Iconoclastic Humanism --
_t14. Alexandra: The Return to Neverwas and the Ambiguity of Romance --
_t15. Faust: Sokurov Waltz --
_tPostscript. On the Poetics of Space in Sokurov's Tetralogy (Moloch/Taurus/ The Sun/Faust) --
_tConclusion. The (Im)Possibility of an Island --
_tPostface --
_tAddendum A: interview with Alexander Sokurov, 2005 --
_tAddendum B: interview with Alexander Sokurov, 2013 --
_tFilmography --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aOne of the last representatives of a brand of serious, high-art cinema, Alexander Sokurov has produced a massive oeuvre exploring issues such as history, power, memory, kinship, death, the human soul, and the responsibility of the artist. Through contextualization and close readings of each of his feature fiction films (broaching many of his documentaries in the process), this volume unearths a vision of Sokurov's films as equally mournful and passionate, intellectual, and sensual, and also identifies in them a powerful, if discursively repressed, queer sensitivity, alongside a pattern of tensions and paradoxes. This book thus offers new keys to understand the lasting and ever-renewed appeal of the Russian director's Janus-like and surprisingly dynamic cinema - a deeply original and complex body of work in dialogue with the past, the present and the future.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aSokurov, Aleksandr 1951- / Criticism and interpretation
_xSokurov, Aleksandr 1951- / Critique et interprétation / Sokurov, Aleksandr 1951-
_xMotion picture producers and directors / Russia (Federation)
_xProducteurs et réalisateurs de cinéma / Russie
_xCinéma / Russie
_xParadoxes / Criticism, interpretation, etc.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/szan16734
856 4 0 _uhttps://www.degruyter.com/isbn/9780231850520
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231850520/original
942 _cEB
999 _c184881
_d184881