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| 001 | 184884 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232145.0 | ||
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| 008 | 220302t20142014nyu fo d z eng d | ||
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_a9780231167413 _qprint |
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_a9780231850551 _qPDF |
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| 024 | 7 |
_a10.7312/glyn16741 _2doi |
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| 035 | _a(DE-B1597)9780231850551 | ||
| 035 | _a(DE-B1597)458335 | ||
| 035 | _a(OCoLC)979880155 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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_aPN1997.Q33 _bG59 2014 |
| 050 | 4 | _aPN1997 | |
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_aPER004030 _2bisacsh |
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| 082 | 0 | 4 |
_a791.4372 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aGlynn, Stephen _eautore |
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| 245 | 1 | 0 |
_aQuadrophenia / _cStephen Glynn. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c[2014] |
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| 264 | 4 | _c©2014 | |
| 300 |
_a1 online resource (144 p.) : _b40 |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aCultographies | |
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tAcknowledgements -- _tForeword -- _t1. Prequel: Cult into Music -- _t2. Production: Cult into Film -- _t3. Analysis: Film of Cult -- _t4. Reception and Afterlife: Film into Cult -- _tEpilogue -- _tAppendix -- _tNotes -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _a1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult; it endures because of its 'emotional honesty', showing Jimmy as failing, with family, job, girl, and group; it excites because we all know that, at some point in our lives, 'I was there!' | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | _aMod culture (Subculture) | |
| 650 | 0 |
_aMotion pictures _xProduction and direction. |
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| 650 | 0 | _aRocker culture. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7312/glyn16741 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231850551 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231850551/original |
| 942 | _cEB | ||
| 999 |
_c184884 _d184884 |
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