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008 220302t20142014nyu fo d z eng d
010 _a2014501676
020 _a9780231172035
_qprint
020 _a9780231850728
_qPDF
024 7 _a10.7312/west17202
_2doi
035 _a(DE-B1597)9780231850728
035 _a(DE-B1597)458545
035 _a(OCoLC)979909991
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1995.9.T46
_bW47 2014
050 4 _aPN1993.5.U6
072 7 _aPER004030
_2bisacsh
082 0 4 _a791.43097309051
_223
084 _aonline - DeGruyter
100 1 _aWestwell, Guy
_eautore
245 1 0 _aParallel Lines :
_bPost-9/11 American Cinema /
_cGuy Westwell.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2014]
264 4 _c©2014
300 _a1 online resource (240 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tIntroduction --
_tUncertainty --
_tUnity --
_tConspiracy --
_tThe Return to Ground Zero --
_tThe End of the World --
_tThe September 11 Syndrome --
_tTorture --
_tThe Iraq War --
_tHistory --
_tNotes --
_tFilmography --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aParallel Lines describes how post-9/11 cinema, from Spike Lee's 25th Hour (2002) to Kathryn Bigelow's Zero Dark Thirty (2012), relates to different, and competing, versions of US national identity in the aftermath of the September 11 terrorist attacks. The book combines readings of individual films (World Trade Center, United 93, Fahrenheit 9/11, Loose Change) and cycles of films (depicting revenge, conspiracy, torture and war) with extended commentary on recurring themes, including the relationship between the US and the rest of the world, narratives of therapeutic recovery, questions of ethical obligation.The volume argues that post-9/11 cinema is varied and dynamic, registering shock and upheaval in the immediate aftermath of the attacks, displaying capacity for critique following the Abu Ghraib prisoner abuse scandal mid-decade, and seeking to reestablish consensus during Obama's troubled second term of office.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aMotion pictures
_zUnited States
_xHistory
_y21st century.
650 0 _aNational characteristics, American, in motion pictures.
650 0 _aSeptember 11 Terrorist Attacks, 2001
_xInfluence.
650 0 _aSeptember 11 Terrorist Attacks, 2001, in motion pictures.
650 0 _aSeptember 11 Terrorist Attacks, 2001.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/west17202
856 4 0 _uhttps://www.degruyter.com/isbn/9780231850728
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231850728/original
942 _cEB
999 _c184893
_d184893