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001 184894
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008 220302t20152015nyu fo d z eng d
010 _a2015373278
020 _a9780231172097
_qprint
020 _a9780231850735
_qPDF
024 7 _a10.7312/kerc17208
_2doi
035 _a(DE-B1597)9780231850735
035 _a(DE-B1597)458390
035 _a(OCoLC)979832303
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1998.3.H58
_bK45 2015
050 4 _aPN1998.3.H58
072 7 _aPER004030
_2bisacsh
082 0 4 _a791.4302/33092
_223
084 _aonline - DeGruyter
100 1 _aKercher, Dona
_eautore
245 1 0 _aLatin Hitchcock :
_bHow Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious /
_cDona Kercher.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2015]
264 4 _c©2015
300 _a1 online resource (392 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_tIntroduction --
_tPart I: Spain --
_tChapter One. First Loves, First Cuts: The Initial Response to Hitchcock's Films in Spain --
_tChapter Two. Pedro Almodóvar's Criminal Side: Plot, Humour and Cinematic Style --
_tChapter Three. Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy --
_tChapter Four. Against Hitchcock: Alejandro Amenabar's Meteoric Career --
_tPart II: Latin America --
_tChapter Five. Latin American Openings: The Reception History Of Hitchcock's Films For Mexico City --
_tChapter Six. Guillermo Del Toro's Continuing Education: Adapting Hitchcock's Moral And Visual Sensibilities To The World Of Horror --
_tChapter Seven. Understanding Osmosis: Hitchcock In Argentina Through The Eyes Of Juan Jose Campanella --
_tConclusion. They Became Notorious --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis study explores how five major directors-Pedro Almodóvar, Alejandro Amenábar, Alex de la Iglesia, Guillermo del Toro, and Juan José Campanella-modeled their early careers on Hitchcock and his film aesthetics. In shadowing Hitchcock, their works embraced the global aspirations his movies epitomize. Each section of the book begins with an extensive study, based on newspaper accounts, of the original reception of Hitchcock's movies in either Spain or Latin America and how local preferences for genre, glamour, moral issues, and humor affected their success. The text brings a new approach to world film history, showcasing both the commercial and artistic importance of Hitchcock in Spain and Latin America
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aMotion pictures, Spanish
_xHistory and criticism.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/kerc17208
856 4 0 _uhttps://www.degruyter.com/isbn/9780231850735
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231850735/original
942 _cEB
999 _c184894
_d184894