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_a10.7312/furb17396 _2doi |
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_aPN1998.3.N65 _bC56 2015 |
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_aPER004030 _2bisacsh |
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_a791.4302/33092 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 4 |
_aThe Cinema of Christopher Nolan : _bImagining the Impossible / _ced. by Stuart Joy, Jacqueline Furby. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c[2015] |
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| 264 | 4 | _c©2015 | |
| 300 |
_a1 online resource (224 p.) : _b24 b&w |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 | _aDirectors' Cuts | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgements -- _tNotes on Contributors -- _tForeword: Are You Watching Closely? -- _tIntroduction: Dreaming a Little Bigger, Darling -- _t1. Developing an Auteur Through Reviews: The Critical Surround of Christopher Nolan -- _t2. Cinephilia Writ Large: IMAX in Christopher Nolan's The Dark Knight and The Dark Knight Rises -- _t3. Nolan's Immersive Allegories of Filmmaking in Inception and The Prestige -- _t4. Saints, Sinners and Terrorists: The Women of Christopher Nolan's Gotham -- _t5. Memento's Postmodern Noir Fantasy: Place, Domesticity and Gender Identity -- _t6. Men in Crisis: Christopher Nolan, Un-truths and Fictionalising Masculinity -- _t7. Representing Trauma: Grief, Amnesia and Traumatic Memory in Nolan's New Millennial Films -- _t8. 'The dream has become their reality': Infinite Regression in Christopher Nolan's Memento and Inception -- _t9. Revisiting the Scene of the Crime: Insomnia and the Return of the Repressed -- _t10. 'You keep telling yourself what you know, but what do you believe?': Cultural Spin, Puzzle Films and Mind Games in the Cinema of Christopher Nolan -- _t11. Stumbling Over the Superhero: Christopher Nolan's Victories and Compromises -- _t12. Inception's Singular Lack of Unity Among Christopher Nolan's Puzzle Films -- _t13. Inception's Video Game Logic -- _t14. On the Work of the Double in Christopher Nolan's The Prestige -- _t15. No End in Sight: The Existential Temporality of Following -- _t16. Hearing Music in Dreams - Towards the Semiotic Role of Music in Nolan's Inception -- _t17. About Time Too: From Interstellar to Following, Christopher Nolan's Continuing Preoccupation with Time-Travel -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aOver the past fifteen years, writer, producer and director Christopher Nolan has emerged from the margins of independent British cinema to become one of the most commercially successful directors in Hollywood. From Following (1998) to Interstellar (2014), Christopher Nolan's films explore philosophical concerns by experimenting with nonlinear storytelling while also working within classical Hollywood narrative and genre frameworks. Contextualizing and closely reading each of his films, this collection examines the director's play with memory, time, trauma, masculinity, and identity, and considers the function of music and video games and the effect of IMAX on his work. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 |
_aMotion picture producers and directors _zGreat Britain. |
|
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh |
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| 700 | 1 |
_aBrooker, Will _eautore |
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| 700 | 1 |
_aBuckland, Warren _eautore |
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| 700 | 1 |
_aDeakin, Peter _eautore |
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| 700 | 1 |
_aEngel, Felix _eautore |
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| 700 | 1 |
_aFhlainn, Sorcha Ní _eautore |
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| 700 | 1 |
_aFurby, Jacqueline _eautore _ecuratore |
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| 700 | 1 |
_aHill-Parks, Erin _eautore |
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| 700 | 1 |
_aJoy, Stuart _eautore _ecuratore |
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| 700 | 1 |
_aKania, Andrew _eautore |
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| 700 | 1 |
_aKealey, Erin _eautore |
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| 700 | 1 |
_aMcGowan, Todd _eautore |
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| 700 | 1 |
_aOlson, Jonathan R. _eautore |
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| 700 | 1 |
_aPerdigao, Lisa K. _eautore |
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| 700 | 1 |
_aPheasant-Kelly, Fran _eautore |
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| 700 | 1 |
_aTaylor, Tosha _eautore |
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| 700 | 1 |
_aTembo, Kwasu David _eautore |
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| 700 | 1 |
_aToth, Margaret A. _eautore |
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| 700 | 1 |
_aWhitney, Allison _eautore |
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| 700 | 1 |
_aWildfeuer, Janina _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7312/furb17396 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231850766 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231850766/original |
| 942 | _cEB | ||
| 999 |
_c184897 _d184897 |
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