000			03410nam a22006015i 4500
001			184898
003			IT-RoAPU
005			20221214232146.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220302t20152015nyu fo d z eng d
010			_a2015506517
020			_a9780231172714 _qprint
020			_a9780231850773 _qPDF
024	7		_a10.7312/maga17271 _2doi
035			_a(DE-B1597)9780231850773
035			_a(DE-B1597)458425
035			_a(OCoLC)979721320
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1995.9.E96 _bM365 2015
050		4	_aPN1995.9.D6
072		7	_aPER004030 _2bisacsh
082	0	4	_a335.02 _223
084			_aonline - DeGruyter
100	1		_aMagagnoli, Paolo _eautore
245	1	0	_aDocuments of Utopia : _bThe Politics of Experimental Documentary / _cPaolo Magagnoli.
264		1	_aNew York, NY : _bColumbia University Press, _c[2015]
264		4	_c©2015
300			_a1 online resource (224 p.) : _b24 b&w
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aNonfictions
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction - Nostalgia: Pathalogical and Critical -- _tChapter One. Ruins of Utopia -- _tChapter Two. Reinventing Propaganda Films -- _tChapter Three. Archives of Commodities -- _tChapter Four. Digital Utopia in the Post-Internet Age -- _tEpligue - Utopia Now -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThis timely volume discusses the experimental documentary projects of some of the most significant artists working in the world today: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya and Emilia Kabakov, Jon Thomson and Alison Craighead, and Anri Sala. Their films, videos, and photographic series address failed utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and critically contributes to the debate on the conditions of utopian thinking in late-capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the utopian imagination from its futuristic pole toward remembrance. The book therefore provides one of the first critical examinations of the recent turn toward documentary in the field of contemporary art.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aDocumentary films _xHistory and criticism.
650		0	_aExperimental films _xHistory and criticism.
650		0	_aUtopia _xGovernment and politics.
650		0	_aUtopia _xHistory.
650		0	_aUtopia _xSocial conditions.
650		7	_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/maga17271
856	4	0	_uhttps://www.degruyter.com/isbn/9780231850773
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231850773/original
942			_cEB
999			_c184898 _d184898