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| 035 | _a(DE-B1597)518317 | ||
| 035 | _a(OCoLC)1083761705 | ||
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_a791.4302/33/092 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 4 |
_aThe Cinema of Louis Malle : _bTransatlantic Auteur / _ced. by Philippe Met. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c[2018] |
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| 264 | 4 | _c©2018 | |
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_a1 online resource : _b16 b&w |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 | _aDirectors' Cuts | |
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_tFrontmatter -- _tContents -- _tAcknowledgements -- _tNotes on Contributors -- _tForeword -- _tIntroduction -- _tTransversal Studies -- _t1. Malle Before Malle -- _t2. The Art of Silence: From Documentary to Fiction -- _t3. No Comment: Direct Cinema in Humain, trop humain and Place de la République -- _t4. Louis Malle's Nonfiction: Tradition, Rebellion and Authorial Voice -- _t5. Louis Malle's 1960s 'Star' Films -- _t6. Experimentation and Automatism in Zazie dans le métro and Black Moon -- _t7. Louis Malle and 'His' Writers (Drieu La Rochelle, Nimier, Modiano) -- _t8. A Gendered Geography of Death: Louis Malle's Orphic Voyage -- _t9. The Figure of the Mother in May Fools, Au revoir les enfants and Murmur of the Heart -- _t10. Jazz as Counterpoint in Elevator to the Gallows, Murmur of the Heart and Pretty Baby -- _tMonographic Essays -- _t11. The Fire Within: Touching -- _t12. Le Voleur: (Self-)Portrait of the Filmmaker as a Thief -- _t13. Absorption and Reflexivity in Phantom India -- _t14. Fog of War: Lacombe Lucien and Its Afterlives -- _t15. Memory, Friendship and History in Au revoir les enfants -- _t16. Atlantic City: When Sound Meets Utopia -- _t17. Between Conversation and Conversion: My Dinner with André -- _t18. Vanya on 42nd Street: Inventing a Space of Creation -- _tInterview -- _tTruth and Poetry: An Interview with John Guare (New York, 7 October 2015) -- _tVaria (Previously Unpublished Material) -- _tNotes for a Lecture to be Given by Louis Malle on the Queen Elizabeth 2 -- _tScript of 'The Loner' by Louis Malle -- _tAfterword -- _tFilmography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aArguably a pioneer of the French New Wave (with Ascenseur pour l'échafaud, 1957) Louis Malle went on to enjoy an acclaimed yet provocative and versatile transatlantic career. This collection of original essays proposes to reassess his richly eclectic and boldly subversive oeuvre and redress the surprising critical neglect it has suffered over the years. It does so through a combination of transversal and monographic analyses that use a variety of critical lenses and theoretical tools in order to examine Malle's documentaries as well as his fiction features (and, more importantly, the constant shuttling and uniquely persistent cross-pollination between those two cinematic approaches), illuminate the profound, lasting dialogue his films entertained with literature and theater, bring to the fore their sustained, albeit often oblique autobiographical thrust along with their scathing sociopolitical critique, and scrutinize the alternating use of stars and non-professional actors.In addition, the volume features an exclusive interview with the acclaimed playwright John Guare (a close friend and collaborator of Louis Malle's who scripted Atlantic City) and is bookended by a foreword by Volker Schlöndorff and an afterword by Wes Anderson, two renowned filmmakers who articulate their admiration for, and the seminal influence of, their predecessor. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) | |
| 650 | 0 |
_aMotion picture producers and directors _zFrance. |
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| 650 | 7 |
_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh |
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| 700 | 1 |
_aAnderson, Wes _eautore |
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| 700 | 1 |
_aCardonne-Arlyck, Elisabeth _eautore |
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| 700 | 1 |
_aCiment, Michel _eautore |
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| 700 | 1 |
_aCinelli, Francesca _eautore |
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| 700 | 1 |
_aConley, Tom _eautore |
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_aCortade, Ludovic _eautore |
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| 700 | 1 |
_aEades, Caroline _eautore |
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_aFleishman, Ian _eautore |
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| 700 | 1 |
_aFlitterman-Lewis, Sandy _eautore |
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| 700 | 1 |
_aHarris, Sue _eautore |
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| 700 | 1 |
_aKline, T. Jefferson _eautore |
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_aMalle, Justine _eautore |
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_aMalle, Louis _eautore |
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_aMet, Philippe _eautore _ecuratore |
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_aPautrot, Jean-Louis _eautore |
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_aRongier, Sébastien _eautore |
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| 700 | 1 |
_aSchilling, Derek _eautore |
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| 700 | 1 |
_aSchlöndorff, Volker _eautore |
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| 700 | 1 |
_aSoulez, Guillaume _eautore |
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| 700 | 1 |
_aUngar, Steven _eautore |
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| 700 | 1 |
_aWilliams, Alan _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7312/met-18870 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231851268 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231851268/original |
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