000			03253nam a22004695i 4500
001			185530
003			IT-RoAPU
005			20221214232210.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			210830t19791979nyu fo d z eng d
020			_a9780231913645 _qprint
020			_a9780231883375 _qPDF
024	7		_a10.7312/levy91364 _2doi
035			_a(DE-B1597)9780231883375
035			_a(DE-B1597)510266
035			_a(OCoLC)1100434733
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER011020 _2bisacsh
084			_aonline - DeGruyter
100	1		_aLevy, Emanuel _eautore
245	1	4	_aThe Habima–Israel’S National Theater 1917–1977. a Study of Cultural Nationalism / _cEmanuel Levy.
264		1	_aNew York, NY : _bColumbia University Press, _c[1979]
264		4	_c©1979
300			_a1 online resource (346 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tTables -- _tAcknowledgments -- _tIntroduction -- _tPart One. The Habima in Moscow: 1917–1926 -- _t1. The Founding Group -- _t2. Ideology and Repertoire: 1917–1926 -- _t3. The Social Context: Jewish and Russian -- _t4. The Social Structure of the Habima -- _tPart Two. The Habima in Transition: 1926–1931 -- _t5. The Habima in Europe and the United States -- _t6. The Search for a Permanent Home -- _tPart Three. The Habima in Palestine: 1931–1948 -- _t7. Ideology and Repertoire: 1931–1948 -- _t8. The Habima and the Jewish Community of Palestine -- _t9. Organizational Structure: The Actors’ Collective -- _t10. Organizational Structure: Artistic and Administrative Direction: 1931–1948 -- _tPart Four. The Habima in the State of Israel: 1949–1977 -- _t11. Ideology and Repertoire: 1949–1968 -- _t12. The Habima and Israeli Society -- _t13. Organizational Structure: Artistic and Administrative Direction: 1949–1968 -- _t14. The Search for an Artistic Identity: 1969–1977 -- _tConclusion -- _tAppendixes -- _tNotes -- _tSelected Bibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aExamines the political, ideological, and artistic roles of the Habima theater between its founding in Moscow in 1917 to the 1970s. It attempts to identify underlying patterns of change in the roles, structure, and functions of the Habima theater, with its major objective to describe the specific changes in its ideology, mission, repertoire, organization, and audiences between 1917 and 1977 and to analyze the causes and consequences of those changes.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		7	_aPERFORMING ARTS / Theater / History & Criticism. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/levy91364
856	4	0	_uhttps://www.degruyter.com/isbn/9780231883375
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780231883375.jpg
942			_cEB
999			_c185530 _d185530