000			05139nam a22005055i 4500
001			185562
003			IT-RoAPU
005			20221214232211.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			210830t19541954nyu fo d z eng d
020			_a9780231914406 _qprint
020			_a9780231883757 _qPDF
024	7		_a10.7312/clar91440 _2doi
035			_a(DE-B1597)9780231883757
035			_a(DE-B1597)511568
035			_a(OCoLC)1100434752
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aN11.N543 _bC5
072		7	_aDES000000 _2bisacsh
082	0	4	_a707.152
084			_aonline - DeGruyter
100	1		_aClark, Eliot _eautore
245	1	0	_aHistory of the National Academy of Design 1825–1953 / _cEliot Clark.
264		1	_aNew York, NY : _bColumbia University Press, _c[1954]
264		4	_c©1954
300			_a1 online resource (310 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tFOREWORD -- _tCONTENTS -- _tLIST OF ILLUSTRATIONS -- _tINTRODUCTION -- _tΙ . ORIGINS: THE AMERICAN ACADEMY OF FINE ARTS FOUNDED IN NEW YORK, 1802. THE NEW YORK DRAWING ASSOCIATION. CAUSES FOR THE FORMATION OF THE NATIONAL ACADEMY OF DESIGN. THE FOUNDERS -- _tII. THE ACADEMY BEGINS: EARLY CONSTITUTIONS. THE SCHOOL. CHANGES OF LOCATION. CLINTON HALL -- _tIII. YEARS OF CONFLICT: THE FIRST EXHIBITION. CONTROVERSY BETWEEN THE AMERICAN ACADEMY OF FINE ARTS AND THE NATIONAL ACADEMY OF DESIGN. JOHN TRUMBULL AND SAMUEL F. B. MORSE. THE END OF THE AMERICAN ACADEMY -- _tIV. AMERICAN PAINTING, 1825–1865: PORTRAITURE. LANDSCAPE. GENRE -- _tV. SOCIAL AFFILIATIONS: NOTABLE HONORARY MEMBERS. THE SKETCH CLUB AND OTHER GROUPS SPONSORED BY THE NATIONAL ACADEMY. THE ART UNION -- _tVI. A SERIES OF HOMES: SAMUEL MORSE INVENTS THE TELEGRAPH. THE DAGUERREOTYPE. THE ACADEMY MOVES TO 663 BROADWAY AND TO TENTH STREET AND FOURTH AVENUE. ARTISTS' RECEPTIONS. SALE OF THE BROADWAY PROPERTY. PURCHASE OF THE PROPERTY AT 2 3D STREET AND FOURTH AVENUE. CEREMONY CELEBRATING THE LAYING OF THE CORNERSTONE OF THE NEW BUILDING -- _tVII. AT 23D STREET: THE FIRST MEETING IN THE NEW BUILDING. EXHIBITIONS AND THE HANGING COMMITTEE. AMENDMENTS TO THE CONSTITUTION. THE ART STUDENTS LEAGUE. CENTENNIAL CELEBRATION, 1876 -- _tVIII. THE SOCIETY OF AMERICAN ARTISTS: STEPS LEADING TO THE FORMATION OF THE SOCIETY. THE SOCIETY MERGES WITH THE NATIONAL ACADEMY -- _tΙΧ. CHANGES IN PICTORIAL CONCEPTION: THE DÜSSELDORF SCHOOL. THE TONALISTS. MUNICH. PARIS. THE SALONIERS. IMPRESSIONISM -- _tΧ. PROGRESS AND PROBLEMS: INAUGURATION OF PRIZES. CONTROVERSY RESULTING FROM THE USE OF GLASS OVER PICTURES. SALE OF 23D STREET PROPERTY. PURCHASE OF PROPERTY AT I09TH STREET AND AMSTERDAM AVENUE. THE NEW SCHOOL BUILDING -- _tXI. A NEW CENTURY: PRIZES AND BEQUESTS. THE SCHOOL. FIRE. THE SCHOOL THROUGH THE FIRST WORLD WAR AND UNTIL 1925 -- _tXII. CHANGING YEARS: ACADEMY EXHIBITIONS IN THE FINE ARTS GALLERY. CRITICS AND ARTISTS. FORMATION OF THE NATIONAL ACADEMY ASSOCIATION. THE FIRST WORLD WAR -- _tXIII. ART IN TURMOIL: “THE OLD GUARD”. THE AMERICAN TRADITION. WINSLOW HOMER. THOMAS EAKINS. “THE YOUNG RADICALS”. REALISM. END OF AN ERA -- _tXIV. THE SISTER ARTS: ARCHITECTURE. SCULPTURE. ENGRAVING. ETCHING -- _tXV. THE ACADEMY CONTINUES TO FLOURISH: THE CENTENARY. EXHIBITIONS IN WASHINGTON AND NEW YORK. CULTURAL AFFILIATION WITH NEW YORK UNIVERSITY. PRESIDENT BLASHFIELD DEFINES THE ROLE OF THE ACADEMY. SEARCH FOR A NEW HOME CONTINUED. THE MEMBERSHIP COMMITTEE -- _tXVI. ART IN A WORLD AT WAR: THE NEW YORK WORLD’S FAIR. PRESIDENT NICHOLS. THE ARCHER M. HUNTINGTON GIFT. THE MOVE TO FIFTH AVENUE. A SECOND FIRE. SALE OF PROPERTY AT 109TH STREET. THE SECOND WORLD WAR. VICTORY SHIP SAMUEL F. B. MORSE. THE ISIDOR FUND. THE ABBEY BEQUEST -- _tXVII. TOWARD OTHER TOMORROWS: THE EXHIBITION COMMITTEE. THE REVISED MEMBERSHIP COMMITTEE. 125TH ANNIVERSARY. EXHIBITION AND BANQUET IN HONOR OF SAMUEL F. B. MORSE. THE AMERICAN HERITAGE. REVISIONS OF THE CONSTITUTION. THE SCHOOL MOVES TO FIFTH AVENUE. THE “AVANT GARDE”. EVOLUTION OF THE ACADEMY EXHIBITIONS -- _tAPPENDIX -- _tSOURCES -- _tACKNOWLEDGEMENTS -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aA history of the National Academy of the Arts from its founding in 1802 to 1953. Topics include early constitutions, exhibitions, social affiliations, conflicts within the organization, and others.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		7	_aDESIGN / General. _2bisacsh
700	1		_aWhite, Lawrence Grant _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/clar91440
856	4	0	_uhttps://www.degruyter.com/isbn/9780231883757
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780231883757.jpg
942			_cEB
999			_c185562 _d185562