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001			187091
003			IT-RoAPU
005			20230501181536.0
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007			cr || ||||||||
008			230328t20152009pau fo d z eng d
020			_a9780271036557 _qPDF
024	7		_a10.1515/9780271036557 _2doi
035			_a(DE-B1597)9780271036557
035			_a(DE-B1597)584333
035			_a(OCoLC)1253313036
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT007000 _2bisacsh
082	0	4	_a363.310942/09032 _222
084			_aonline - DeGruyter
100	1		_aRobertson, Randy _eautore
245	1	0	_aPenn State Series in the History of the Book. Censorship and Conflict in Seventeenth-Century England : _bThe Subtle Art of Division / _cRandy Robertson.
264		1	_aUniversity Park, PA : _bPenn State University Press, _c[2015]
264		4	_c©2009
300			_a1 online resource (288 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aPenn State Series in the History of the Book
505	0	0	_tFrontmatter -- _tCONTENTS -- _tAcknowledgments -- _tAbbreviations -- _tIntroduction -- _t1 ‘‘Consider What May Come of It’’: Prynne’s Play and Charles’s Stately Theater -- _t2 Lovelace and the ‘‘Barbed Censurers’’ -- _t3 Free Speech, Fallibility, and the Public Sphere: Milton Among the Skeptics -- _t4 The Delicate Arts of Anonymity and Attribution -- _t5 The Battle of the Books: Swift’s Leviathan and the End of Licensing -- _tConclusion: Dividing Lines—1689, 1695, and Afterward -- _tNotes -- _tSelect Bibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aCensorship profoundly affected early modern writing. Censorship and Conflict in Seventeenth-Century England offers a detailed picture of early modern censorship and investigates the pressures that censorship exerted on seventeenth-century authors, printers, and publishers. In the 1600s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define “liberty and property.” This battle, sometimes subtle, sometimes bloody, entailed a struggle for the control of language and representation. Robertson offers a richly detailed study of this “censorship contest” and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced—the forms and pressures of self-censorship. Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023)
650		0	_aCensorship _xHistory _x17th century _xEngland.
650		0	_aCensorship _zEngland _xHistory _y17th century.
650		0	_aEnglish literature _xHistory and criticism _xEarly modern, 1500-1700.
650		0	_aEnglish literature _yEarly modern, 1500-1700 _xHistory and criticism.
650		0	_aPolitics and literature _xHistory _x17th century _xGreat Britain _xEngland _xGreat Britain.
650		0	_aPolitics and literature _zGreat Britain _xHistory _y17th century.
650		7	_aLITERARY CRITICISM / Books & Reading. _2bisacsh
653			_aEngland.
653			_aRobertson.
653			_aauthors.
653			_acensorship.
653			_aconflict.
653			_adivision.
653			_alanguage.
653			_alicensing system.
653			_aliterature.
653			_amodern writing.
653			_aprinters.
653			_apublishers.
653			_arepresentation.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780271036557?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780271036557
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780271036557/original
942			_cEB
999			_c187091 _d187091