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| 001 | 187111 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501181536.0 | ||
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| 008 | 230328t20152010pau fo d z eng d | ||
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_a9780271051154 _qPDF |
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| 024 | 7 |
_a10.1515/9780271051154 _2doi |
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| 035 | _a(DE-B1597)9780271051154 | ||
| 035 | _a(DE-B1597)583859 | ||
| 035 | _a(OCoLC)1262307213 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aART009000 _2bisacsh |
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| 082 | 0 | 4 |
_a709 _222 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBarolsky, Paul _eautore |
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| 245 | 1 | 2 |
_aA Brief History of the Artist from God to Picasso / _cPaul Barolsky. |
| 264 | 1 |
_aUniversity Park, PA : _bPenn State University Press, _c[2015] |
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| 264 | 4 | _c©2010 | |
| 300 | _a1 online resource (168 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tAcknowledgments -- _tOne. The Art of God from the Beginning of the World till the End of Time -- _tTwo. Homer, Hephaistos, and the Poetic Origins of Art History -- _tThree. Ovid’s Protean Epic and Artistic Personae -- _tFour. Dante and the Modern Cult of the Artist -- _tFive. Vasari and the Quixotic Painter -- _tSix. Leonardo, Vasari, and the Historical Imagination -- _tSeven. Vasari and the Autobiography of Michelangelo -- _tEight. Balzac and the Fable of Failure in Modern Art -- _tNine. Myths and Mysteries of Modern Art -- _tTen. Toward a Mock-Heroic History of Art -- _tEleven. The Metamorphoses of Picasso -- _tCoda -- _tBibliographical note -- _tSelected Bibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aIn A Brief History of the Artist from God to Picasso, Paul Barolsky explores the ways in which fiction shapes history and history informs fiction. It is a playful book about artistic obsession, about art history as both tragedy and farce, and about the heroic and the mock-heroic. The book demonstrates that the modern idea of the artist has deep roots in the image of the epic poet, from Homer to Ovid to Dante. Barolsky’s major claim is that the history of the artist is inseparable from historical fiction about the artist and that fiction is essential to the reality of the artist’s imagination. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) | |
| 650 | 0 |
_aArt _xHistoriography. |
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| 650 | 0 |
_aArtists _xHistory. |
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| 650 | 0 | _aLiterature and history. | |
| 650 | 7 |
_aART / Criticism. _2bisacsh |
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| 653 | _aBalzac. | ||
| 653 | _aDante. | ||
| 653 | _aLeonardo. | ||
| 653 | _aMichelangelo. | ||
| 653 | _aPicasso. | ||
| 653 | _aVasari. | ||
| 653 | _acomic mock heroic poetry. | ||
| 653 | _afiction imagination art art history. names such as Homer Ovid. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780271051154?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780271051154 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780271051154/original |
| 942 | _cEB | ||
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_c187111 _d187111 |
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