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008			230328t20152013pau fo d z eng d
020			_a9780271062471 _qPDF
024	7		_a10.1515/9780271062471 _2doi
035			_a(DE-B1597)9780271062471
035			_a(DE-B1597)584181
035			_a(OCoLC)1253313488
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aN7485.U6 _bG46 2013eb
072		7	_aART015020 _2bisacsh
082	0	4	_a701/.180973 _223
084			_aonline - DeGruyter
100	1		_aGeorgi, Karen L. _eautore
245	1	0	_aCritical Shift : _bRereading Jarves, Cook, Stillman, and the Narratives of Nineteenth-Century American Art / _cKaren L. Georgi.
264		1	_aUniversity Park, PA : _bPenn State University Press, _c[2015]
264		4	_c©2013
300			_a1 online resource (152 p.) : _b8 illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgments -- _tIntroduction -- _t1 Rereading James Jackson Jarves’s Art-Idea -- _t2 Clarence Cook and Jarves: Fact, Feeling, and the Discourse of Truthfulness in Art -- _t3 A Further Look at Clarence Cook and the “Revolution” in Art -- _t4 William J. Stillman’s Ruskinian Criticism: Metaphor and Essential Meaning -- _t5 Art Discourse After Ruskin: Time and History in Art -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAmerican Civil War–era art critics James Jackson Jarves, Clarence Cook, and William J. Stillman classified styles and defined art in terms that have become fundamental to our modern periodization of the art of the nineteenth century. In Critical Shift, Karen Georgi rereads many of their well-known texts, finding certain key discrepancies between their words and our historiography that point to unrecognized narrative desires. The book also studies ruptures and revolutionary breaks between “old” and “new” art, as well as the issue of the morality of “true” art. Georgi asserts that these concepts and their sometimes loaded expression were part of larger rhetorical structures that gainsay the uses to which the key terms have been put in modern historiography.It has been more than fifty years since a book has been devoted to analyzing the careers of these three critics, and never before has their role in the historiography and periodization of American art been analyzed. The conclusions drawn from this close rereading of well-known texts challenge the fundamental nature of “historical context” in American art history.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023)
650		0	_aArt criticism _zUnited States _xHistory _y19th century.
650		0	_aArt, American _xHistoriography.
650		7	_aART / American / General. _2bisacsh
653			_a.
653			_aArt-Idea.
653			_aClarence Cook Art History Art.
653			_aCriticism Nineteenth-Century American Art.
653			_aJames Jackson Jarves.
653			_aKaren L. Georgi.
653			_aWilliam J. Stillman.
653			_aunited states.
653			_aus.
653			_ausa.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780271062471?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780271062471
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780271062471/original
942			_cEB
999			_c187210 _d187210