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| 001 | 187319 | ||
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| 005 | 20221214232318.0 | ||
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| 008 | 221201t20152000pau fo d z eng d | ||
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_a9780271072388 _qPDF |
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| 024 | 7 |
_a10.1515/9780271072388 _2doi |
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| 035 | _a(DE-B1597)9780271072388 | ||
| 035 | _a(DE-B1597)584270 | ||
| 035 | _a(OCoLC)1266228990 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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_aPQ6428 _b.B87 2000eb |
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_aLIT004280 _2bisacsh |
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| 082 | 0 | 4 |
_a862/.2 _222 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBurke, James F. _eautore |
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| 245 | 1 | 0 |
_aVision, the Gaze, and the Function of the Senses in “Celestina” / _cJames F. Burke. |
| 264 | 1 |
_aUniversity Park, PA : _bPenn State University Press, _c[2015] |
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| 264 | 4 | _c©2000 | |
| 300 | _a1 online resource (152 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aStudies in Romance Literatures | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction -- _t1 The Sensory Fields, Ancient and Modern -- _t2 Celestina: The Sublunary Intermediary -- _t3 The Higher Spiritual Vision: Saint Mary Magdalene -- _t4 Arrows of Desire, Arrows of Envy -- _t5 "Todas cosas que son hacen": The Sonic Sphere -- _t6 The Banquet of Sense and the Garden of Delights -- _tWorks Cited -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe plot of the late-medieval Spanish work Celestina (1499) centers on the ill-fated love of Calisto and Melibea and the fascinating character of their intermediary, Celestina. In this ground-breaking rereading of the play, James F. Burke offers a new interpretation of the characters' actions by analyzing medieval theories of perception that would have influenced the composition of Celestina. Drawing upon a variety of texts and thinkers—including the medieval theories of Thomas Aquinas, the Renaissance treatises of Marsilio Ficino, the classical philosophy of Aristotle, and the modern psychology of Jacques Lacan—Burke relates ancient and medieval theories of sensory functions to modern understandings. He demonstrates that modern concepts of ";the gaze"; have their premodern analogy in the idea of an all-encompassing sensory field, both visual and auditory, that surrounded and enveloped each individual. Touching on medieval theories of the ";evil eye,"; the sonic sphere, and ";the banquet of the senses,"; Burke offers a new perspective on the use and manipulation of sensory input by the characters of Celestina. This book will be welcomed not only by students of Spanish literature but also by those interested in new ways of approaching medieval and Renaissance texts. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | _aGaze in literature. | |
| 650 | 0 | _aSenses and sensation in literature. | |
| 650 | 0 | _aVision in literature. | |
| 650 | 7 |
_aLITERARY CRITICISM / European / Spanish & Portuguese. _2bisacsh |
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| 653 | _aCalisto Melibea. | ||
| 653 | _aCelestina. | ||
| 653 | _aJacques Lacan. | ||
| 653 | _aMarsilio Ficino. | ||
| 653 | _aSpanish literature. | ||
| 653 | _aThomas Aquinas. | ||
| 653 | _amedieval theories. | ||
| 653 | _asensory field. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780271072388?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780271072388 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780271072388/original |
| 942 | _cEB | ||
| 999 |
_c187319 _d187319 |
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