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001 187386
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008 230328t20152016pau fo d z eng d
020 _a9780271076706
_qPDF
024 7 _a10.1515/9780271076706
_2doi
035 _a(DE-B1597)9780271076706
035 _a(DE-B1597)584105
035 _a(OCoLC)1262307514
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015120
_2bisacsh
084 _aonline - DeGruyter
100 1 _aZanardi, Tara
_eautore
245 1 0 _aFraming Majismo :
_bArt and Royal Identity in Eighteenth-Century Spain /
_cTara Zanardi.
264 1 _aUniversity Park, PA :
_bPenn State University Press,
_c[2015]
264 4 _c©2016
300 _a1 online resource (264 p.) :
_b44 color/35 b&w illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIllustrations --
_tAcknowledgments --
_tIntroduction --
_t1 Majismo, the Spanish National Character, and the Elite Cultivation of Cultural Patrimony --
_t2 Swaggering Majos: Performing the Masculine Ideal --
_t3 Performing the Bullfight: Spanish Bodies as Noble Spectacle --
_t4 Majas, Elites, and Female Agency --
_t5 Majismo and Royal Identity --
_tConclusion --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aMajismo, a cultural phenomenon that embodied the popular aesthetic in Spain from the second half of the eighteenth century, served as a vehicle to “regain” Spanish heritage. As expressed in visual representations of popular types participating in traditional customs and wearing garments viewed as historically Spanish, majismo conferred on Spanish “citizens” the pictorial ideal of a shared national character.In Framing Majismo, Tara Zanardi explores nobles’ fascination with and appropriation of the practices and types associated with majismo, as well as how this connection cultivated the formation of an elite Spanish identity in the late 1700s and aided the Bourbons’ objective to fashion themselves as the legitimate rulers of Spain. In particular, the book considers artistic and literary representations of the majo and the maja, purportedly native types who embodied and performed uniquely Spanish characteristics. Such visual examples of majismo emerge as critical and contentious sites for navigating eighteenth-century conceptions of gender, national character, and noble identity. Zanardi also examines how these bodies were contrasted with those regarded as “foreign,” finding that “foreign” and “national” bodies were frequently described and depicted in similar ways. She isolates and uncovers the nuances of bodily representation, ultimately showing how the body and the emergent nation were mutually constructed at a critical historical moment for both.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023)
650 7 _aART / History / Romanticism.
_2bisacsh
653 _aBourbon identity.
653 _aBourbon.
653 _aBullfighting.
653 _aCharles III.
653 _aCharles IV.
653 _aFrancisco de Goya.
653 _aKingship/queenship.
653 _aMaja.
653 _aMajismo.
653 _aMajo.
653 _aMantilla.
653 _aSpain.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780271076706?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780271076706
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780271076706/original
942 _cEB
999 _c187386
_d187386