000			03517nam a22004815i 4500
001			187387
003			IT-RoAPU
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008			210621t20211994pau fo d z eng d
020			_a9780271076782 _qPDF
024	7		_a10.1515/9780271076782 _2doi
035			_a(DE-B1597)9780271076782
035			_a(DE-B1597)583994
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPS121 _b.B52 1994
072		7	_aLIT004020 _2bisacsh
082	0	4	_a810.9 _220
084			_aonline - DeGruyter
100	1		_aBerthoff, Warner _eautore
245	1	0	_aAmerican Trajectories : _bAuthors and Readings, 1790-1970 / _cWarner Berthoff.
264		1	_aUniversity Park, PA : _bPenn State University Press, _c[2021]
264		4	_c©1994
300			_a1 online resource (200 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tPreface -- _tPART I -- _t1. Continuity in Discontinuity: Literature in the American Situation -- _tPART II -- _t2. "The People's Author": Attempting to Find Mr. Mark Twain -- _t3. Mark Twain Emily Dickinson: The Community of the Poem -- _t4. Adventures of the Young Man: Brockden Brown's Arthur Mervyn -- _t5. The Scandal of Kate Chopin -- _t6. O. Henry: His Life and Afterlife -- _t7. Modem Instances: Brooks, Mumford, Dreiser The Mutual Admiration Pact of Van Wyck Brooks and Lewis Mumford -- _t8. "The Flight of the Rocket" and "The Last Good Country": Fitzgerald and Hemingway in the 1920s, and After -- _t9. 1920s, and After Pay Day: The Case of Nathan Asch -- _t10. "Everything Is All Right and Difficult": The Poems of Frank O'Hara -- _t11. Life "Upstate": Edmund Wilson's American Memoir -- _tPART III -- _t12. Culture and Consciousness, 1860-1915: The Onset of the Modem -- _tPermissions -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIn American Trajectories Warner Berthoff argues that even in the broadest cultural and historical perspective, imaginative literature (like all the arts) is a matter of individual signatures and differences. He also puts forth that there are recognizable patterns and continuities marking off what is distinctively American, what both reflects and speaks for a shared national experience. Discussions of Emily Dickinson and Mark Twain, Scott Fitzgerald and Ernest Hemingway, Kate Chopin, Theodore Dreiser, and Edmund Wilson focus on the provenance and central character of writing by mainstream figures in our literary past. The essays on Brockden Brown, Nathan Asch, O. Henry, Frank O'Hara, Lewis Mumford, and Van Wyck Brooks highlight marginal, neglected, forgotten, or not yet fully acknowledged contributors to American writing.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
650		0	_aAmerican literature _xHistory and criticism.
650		7	_aLITERARY CRITICISM / American / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780271076782?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780271076782
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9780271076782.jpg
942			_cEB
999			_c187387 _d187387