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_a9780271079462 _qPDF |
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_a10.1515/9780271079462 _2doi |
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| 035 | _a(DE-B1597)584524 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aART015090 _2bisacsh |
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| 082 | 0 | 4 | _a759.0460945 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aBuying Baroque : _bItalian Seventeenth-Century Paintings Come to America / _ced. by Edgar Peters Bowron. |
| 264 | 1 |
_aUniversity Park, PA : _bPenn State University Press, _c[2021] |
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| 264 | 4 | _c©2017 | |
| 300 |
_a1 online resource (204 p.) : _b43 color/15 b&w illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aThe Frick Collection Studies in the History of Art Collecting in America ; _v3 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIllustrations -- _tForeword -- _tAcknowledgments -- _tIntroduction: The Critical Fortunes of Italian Baroque Painting in America -- _tChapter 1 Italian Baroque Paintings at the Ringling Museum The Legacy of John Ringling and Chick Austin -- _tChapter 2 The Atheneum to the Fore Hartford and the Italian Baroque -- _tChapter 3 The American View of the "Forgotten Century" of Italian Painting Reminiscences of a Conservator and Art Dealer -- _tChapter 4 An Invisible Web Art Historians Behind the Collecting of Italian Baroque Art -- _tChapter 5 Baroque in the Caribbean Luis A. Ferré and the Museo de Arte de Ponce -- _tChapter 6 Dealing and Scholarship The Heim Gallery, London, 1966-1995 -- _tChapter 7 The Detroit Institute of Arts and Italian Baroque Painting -- _tChapter 8 The Bob Jones University Collection of Italian Baroque Paintings -- _tChapter 9 Walter P. Chrysler, Jr., and His Collection of Italian Baroque Paintings -- _tChapter 10 Better Late than Never Collecting Baroque Painting at The Metropolitan Museum of Art -- _tNotes -- _tReferences -- _tList of Artists -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aAlthough Americans have shown interest in Italian Baroque art since the eighteenth century-Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley-a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States.The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s.A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America's greatest museums and galleries.In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d'Ors, Richard E. Spear, and Eric M. Zafran. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | |
| 650 | 0 |
_aPainting _xCollectors and collecting _xHistory _x19th century _xUnited States. |
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| 650 | 0 |
_aPainting _xCollectors and collecting _xHistory _x20th century _xUnited States. |
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| 650 | 0 |
_aPainting _xCollectors and collecting _xHistory _y19th century _xUnited States. |
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| 650 | 0 |
_aPainting _xCollectors and collecting _xHistory _y20th century _xUnited States. |
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| 650 | 0 |
_aPainting _xCollectors and collecting _zUnited States _xHistory _y19th century. |
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| 650 | 0 |
_aPainting _xCollectors and collecting _zUnited States _xHistory _y20th century. |
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| 650 | 0 |
_aPainting, Baroque _xItaly. |
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| 650 | 0 |
_aPainting, Baroque _zItaly. |
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| 650 | 0 |
_aPainting, Italian _x17th century _xUnited States _xItaly _xHistory. |
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| 650 | 0 |
_aPainting, Italian _y17th century. |
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| 650 | 0 |
_aPainting, Italian _zUnited States _zItaly _y17th century _xHistory. |
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| 650 | 7 |
_aART / History / Baroque & Rococo. _2bisacsh |
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| 700 | 1 |
_aBayer, Andrea _eautore |
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| 700 | 1 |
_aBowron, Edgar Peters _eautore _ecuratore |
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| 700 | 1 |
_aBrilliant, Virginia _eautore |
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| 700 | 1 |
_aDerstine, Andria _eautore |
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| 700 | 1 |
_aGrassi, Marco _eautore |
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| 700 | 1 |
_aKennedy, Ian _eautore |
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| 700 | 1 |
_aMarandel, J. Patrice _eautore |
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| 700 | 1 |
_aSpear, Richard E. _eautore |
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| 700 | 1 |
_aZafran, Eric M. _eautore |
|
| 700 | 1 |
_ad'Ors, Pablo Pérez _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780271079462?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780271079462 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9780271079462.jpg |
| 942 | _cEB | ||
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_c187436 _d187436 |
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