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| 001 | 187498 | ||
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| 005 | 20230501181544.0 | ||
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| 008 | 230328t20182018pau fo d z eng d | ||
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_a9780271082578 _qPDF |
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| 024 | 7 |
_a10.1515/9780271082578 _2doi |
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| 035 | _a(DE-B1597)9780271082578 | ||
| 035 | _a(DE-B1597)584175 | ||
| 035 | _a(OCoLC)1257324378 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aN6987 _b.T37 2018 |
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| 072 | 7 |
_aART049000 _2bisacsh |
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| 082 | 0 | 4 |
_a709.47/09034 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aTaroutina, Maria _eautore |
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| 245 | 1 | 4 |
_aThe Icon and the Square : _bRussian Modernism and the Russo-Byzantine Revival / _cMaria Taroutina. |
| 264 | 1 |
_aUniversity Park, PA : _bPenn State University Press, _c[2018] |
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| 264 | 4 | _c©2018 | |
| 300 |
_a1 online resource (288 p.) : _b51 color/65 b&w illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tList of Illustrations -- _tAcknowledgments -- _tNote on Transliteration, Translation, and Dates -- _tIntroduction -- _t1 Byzantium Reconsidered: Revivalism, Avant-Gardism, and the New Art Criticism -- _t2 From Constantinople to Moscow and St. Petersburg: Museums, Exhibitions, and Private Collections -- _t3 Angels Becoming Demons: Mikhail Vrubel’s Modernist Beginnings -- _t4 Vasily Kandinsky’s Iconic Subconscious and the Search for the Spiritual in Art -- _t5 Toward a New Icon: Kazimir Malevich, Vladimir Tatlin, and the Cult of Nonobjectivity -- _tEpilogue -- _tNotes -- _tSelected Bibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aIn The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists.The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) | |
| 650 | 0 |
_aArt, Byzantine _xInfluence. |
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| 650 | 0 |
_aArt, Modern _xByzantine influences. |
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| 650 | 0 |
_aArt, Russian _y19th century. |
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| 650 | 0 |
_aArt, Russian _y20th century. |
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| 650 | 0 |
_aModernism (Art) _zRussia. |
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| 650 | 7 |
_aART / Russian & Former Soviet Union. _2bisacsh |
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| 653 | _aByzantine revival. | ||
| 653 | _aKandinsky. | ||
| 653 | _aKazimir. | ||
| 653 | _aMalevich. | ||
| 653 | _aMikhail. | ||
| 653 | _aModern Art. | ||
| 653 | _aModernism. | ||
| 653 | _aRevivalism. | ||
| 653 | _aRussian art. | ||
| 653 | _aTatlin. | ||
| 653 | _aVasily. | ||
| 653 | _aVladimir. | ||
| 653 | _aVrubel. | ||
| 653 | _aiconic revival. | ||
| 653 | _amedieval revival. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780271082578?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780271082578 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780271082578/original |
| 942 | _cEB | ||
| 999 |
_c187498 _d187498 |
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