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_a10.1515/9780271085562 _2doi |
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| 035 | _a(DE-B1597)583970 | ||
| 035 | _a(OCoLC)1262308298 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aN7483.S292 _bO36 2019 |
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_aART009000 _2bisacsh |
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_a701/.18 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aO’Donnell, C. Oliver _eautore |
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| 245 | 1 | 0 |
_aMeyer Schapiro’s Critical Debates : _bArt Through a Modern American Mind / _cC. Oliver O’Donnell. |
| 264 | 1 |
_aUniversity Park, PA : _bPenn State University Press, _c[2020] |
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| 264 | 4 | _c©2019 | |
| 300 |
_a1 online resource (272 p.) : _b36 illustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tList of Illustrations -- _tPreface and Acknowledgments -- _tList of Abbreviations -- _tIntroduction -- _t1929 Formalism and Perception: From Löwy and Fry to Wertheimer and Gombrich -- _t1936 Reviewing Kunstwissenschaft: Foreshadowing the Two Cultures Debate -- _t1941 Science and the Dialectic: Raphael and Dewey, Courbet and Picasso -- _t1947 The “Aesthetic Attitude,” Coomaraswamy’s Metaphysics, and the Westernness of Art’s History -- _t1956 Pragmatic Psychoanalysis and the Confirmation of Woman I -- _t1961 Debating Berenson with Berlin: Two Concepts of Art-Historical Liberty -- _t1968 Heidegger and Goldstein: Van Gogh’s Shoes and the Liabilities of Ekphrasis -- _t1973 Words and Pictures: A Color Field Critique of Structuralist Semiotics -- _tEpilogue -- _tNotes -- _tBibliography of Works by Meyer Schapiro -- _tGeneral Bibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aDescribed in the New York Times as the greatest art historian America ever produced, Meyer Schapiro was both a close friend to many of the famous artists of his generation and a scholar who engaged in public debate with some of the major intellectuals of his time. This volume synthesizes his prolific career for the first time, demonstrating how Schapiro worked from the nexus of artistic and intellectual practice to confront some of the twentieth century’s most abiding questions.Schapiro was renowned for pioneering interdisciplinary approaches to interpreting visual art. His lengthy formal analyses in the 1920s, Marxist interpretations in the 1930s, psychoanalytic critiques in the 1950s and 1960s, and semiotic explorations in the 1970s all helped open new avenues for inquiry. Based on archival research, C. Oliver O’Donnell’s study is structured chronologically around eight defining debates in which Schapiro participated, including his dispute with Isaiah Berlin over the life and writing of Bernard Berenson, Schapiro’s critique of Martin Heidegger’s ekphrastic commentary on Van Gogh, and his confrontation with Claude Lévi-Strauss over the applicability of mathematics to the interpretation of visual art. O’Donnell’s thoughtful analysis of these intellectual exchanges not only traces Schapiro’s philosophical evolution but also relates them to the development of art history as a discipline, to central tensions of artistic modernism, and to modern intellectual history as a whole.Comprehensive and thought-provoking, this study of Schapiro’s career pieces together the separate strands of his work into one cohesive picture. In doing so, it reveals Schapiro’s substantial impact on the field of art history and on twentieth-century modernism. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) | |
| 650 | 0 |
_aArt criticism _zUnited States _xHistory _y20th century. |
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| 650 | 0 |
_aArt _xHistory. |
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| 650 | 0 | _aElectronic books. | |
| 650 | 7 |
_aART / Criticism. _2bisacsh |
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| 653 | _aAbstract Expressionism. | ||
| 653 | _aArt Historiography. | ||
| 653 | _aCold War. | ||
| 653 | _aCultural Cold War. | ||
| 653 | _aFormalism. | ||
| 653 | _aIntellectual History. | ||
| 653 | _aMarxist. | ||
| 653 | _aMeyer Schapiro. | ||
| 653 | _aModernism. | ||
| 653 | _aNew York Intellectuals. | ||
| 653 | _aPsychoanalysis. | ||
| 653 | _aSemiotics. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780271085562?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780271085562 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780271085562/original |
| 942 | _cEB | ||
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_c187558 _d187558 |
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