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001			187858
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008			220426t20212011txu fo d z eng d
010			_a2011014036
020			_a9780292735514 _qPDF
024	7		_a10.7560/728639 _2doi
035			_a(DE-B1597)9780292735514
035			_a(DE-B1597)588030
035			_a(OCoLC)1286808411
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aE842.9 _b.V35 2011
050		4	_aE842.9 _b.V35 2011
072		7	_aPER000000 _2bisacsh
082	0	4	_a973.922092 _222
084			_aonline - DeGruyter
100	1		_aVågnes, Øyvind _eautore
245	1	0	_aZaprudered : _bThe Kennedy Assassination Film in Visual Culture / _cØyvind Vågnes.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©2011
300			_a1 online resource (223 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tIntroduction -- _tOne. Owning, Showing, Telling -- _tTwo. Eternally Framed -- _tThree. Inside the Zapruder Museum -- _tFour. No Hugging, No Learning -- _tFive. Pleasing to the Eye -- _tSix. Death in Dallas -- _tSeven. Oswald’s Window -- _tEight. Traveling Images -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAs the fiftieth anniversary of the Kennedy assassination approaches, the traumatic aspects of the tragedy continue to haunt our perceptions of the 1960s. One reason for this lies in the home movie of the incident filmed by Abraham Zapruder, a bystander who became one of the twentieth century's most important accidental documentarians. The first book devoted exclusively to the topic, Zaprudered traces the journey of the film and its effect on the world's collective imagination. Providing insightful perspective as an observer of American culture, Norwegian media studies scholar Øyvind Vågnes begins by analyzing three narratives that are projections of Zapruder's images: performance group Ant Farm's video The Eternal Frame, Don DeLillo's novel Underworld, and an episode from Seinfeld. Subsequent topics he investigates include Dealey Plaza's Sixth Floor Museum, Zoran Naskovski's installation Death in Dallas, assassin video games, and other artifacts of the ways in which the footage has made a lasting impact on popular culture and the historical imagination. Vågnes also explores the role of other accidental documentarians, such as those who captured scenes of 9/11. Zapruder's footage has never yielded a conclusive account of what happened in Dealey Plaza. Zaprudered thoroughly examines both this historical enigma and its indelible afterimages in our collective imagination.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650		0	_aAmateur films _zTexas _zDallas _xHistory _y20th century.
650		0	_aMemory _xPolitical aspects _zUnited States.
650		0	_aMotion pictures and history.
650		7	_aPERFORMING ARTS / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/728639
856	4	0	_uhttps://www.degruyter.com/isbn/9780292735514
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292735514/original
942			_cEB
999			_c187858 _d187858