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008			220426t20212012txu fo d z eng d
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020			_a9780292742079 _qPDF
024	7		_a10.7560/742055 _2doi
035			_a(DE-B1597)9780292742079
035			_a(DE-B1597)588131
035			_a(OCoLC)1286806289
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1995 _b.F457933 2012
072		7	_aPER000000 _2bisacsh
082	0	4	_a791.43/6
084			_aonline - DeGruyter
245	0	0	_aFilm Genre Reader IV / _ced. by Barry Keith Grant.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©2012
300			_a1 online resource (784 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tAcknowledgments -- _tContents -- _tPreface to the Fourth Edition -- _tIntroduction -- _tPart One: Theory -- _t1. Genre -- _t2. The Idea of Genre in the American Cinema -- _t3. A Semantic/Syntactic Approach to Film Genre -- _t4. Cycles and Clusters: The Shape of Film Genre History -- _t5. Genre Films and the Status Quo -- _t6. Social Implications in the Hollywood Genres -- _t7. Ideology, Genre, Auteur -- _t8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre -- _t9. The Structural Influence: New Directions in Film Genre Study -- _t10. Genre Film: A Classical Experience -- _t11. Experience and Meaning in Genre Films -- _t12. Genre and Performance: An Overview -- _t13. Film Bodies: Gender, Genre, and Excess -- _t14. Questions of Genre -- _t15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History -- _t16. Film Genres at the Crossroads: What Genres and Films Do to Each Other -- _tPart Two: Selected Genre Criticism -- _t17. The Western (Genre and Movies) -- _t18. Apes and Essences: Some Sources of Significance in the American Gangster Film -- _t19. Notes on Film Noir -- _t20. Chinatown and Generic Transformation in Recent American Films -- _t21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western -- _t22. The Bug in the Rug: Notes on the Disaster Genre -- _t23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic -- _t24. Children of the Light -- _t25. Monsters from the Id -- _t26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery -- _t27. Tales of Sound and Fury: Observations on the Family Melodrama -- _t28. Screwball Comedies: Constructing Romance, Mystifying Marriage -- _t29. Redressing the “Natural”: The Temporary Transvestite Film -- _t30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films -- _t31. The Family in Action -- _t32. The Self-Reflexive Musical and the Myth of Entertainment -- _t33. The Black Gangster Film -- _t34. Teen Films: The Cinematic Image of Youth -- _t35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film -- _t36. Global Noir: Genre Film in the Age of Transnationalism -- _tBibliography -- _tNotes on Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFrom reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650		0	_aMotion picture plays _xHistory and criticism.
650		7	_aPERFORMING ARTS / General. _2bisacsh
700	1		_aAltman, Rick _eautore
700	1		_aBourget, Jean-Loup _eautore
700	1		_aBuscombe, Edward _eautore
700	1		_aCawelti, John G. _eautore
700	1		_aCordova, Richard De _eautore
700	1		_aDeleyto, Celestino _eautore
700	1		_aDesser, David _eautore
700	1		_aElsaesser, Thomas _eautore
700	1		_aFeuer, Jane _eautore
700	1		_aGallagher, Tag _eautore
700	1		_aGrant, Barry Keith _eautore _ecuratore
700	1		_aHess Wright, Judith _eautore
700	1		_aHigson, Andrew _eautore
700	1		_aJeffords, Susan _eautore
700	1		_aKawin, Bruce F. _eautore
700	1		_aKlinger, Barbara _eautore
700	1		_aMitchell, Edward _eautore
700	1		_aNeale, Steve _eautore
700	1		_aPye, Douglas _eautore
700	1		_aRamírez Berg, Charles _eautore
700	1		_aReid, Mark A. _eautore
700	1		_aSchatz, Thomas _eautore
700	1		_aSchrader, Paul _eautore
700	1		_aShary, Timothy _eautore
700	1		_aShumway, David R. _eautore
700	1		_aSobchack, Thomas _eautore
700	1		_aSobchack, Vivian _eautore
700	1		_aStaiger, Janet _eautore
700	1		_aStraayer, Chris _eautore
700	1		_aTarratt, Margaret _eautore
700	1		_aTasker, Yvonne _eautore
700	1		_aTudor, Andrew _eautore
700	1		_aWilliams, Linda _eautore
700	1		_aWood, Robin _eautore
700	1		_aYacowar, Maurice _eautore
700	1		_agrindon, leger _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/742055
856	4	0	_uhttps://www.degruyter.com/isbn/9780292742079
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292742079/original
942			_cEB
999			_c187935 _d187935