| 000 | 03309nam a22004815i 4500 | ||
|---|---|---|---|
| 001 | 188293 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232356.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220426t20211993txu fo d z eng d | ||
| 020 |
_a9780292761612 _qPDF |
||
| 024 | 7 |
_a10.7560/751576 _2doi |
|
| 035 | _a(DE-B1597)9780292761612 | ||
| 035 | _a(DE-B1597)587484 | ||
| 035 | _a(OCoLC)1286806748 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 072 | 7 |
_aLIT000000 _2bisacsh |
|
| 082 | 0 | 4 | _a863/.08109 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMenton, Seymour _eautore |
|
| 245 | 1 | 0 |
_aLatin America's New Historical Novel / _cSeymour Menton. |
| 264 | 1 |
_aAustin : _bUniversity of Texas Press, _c[2021] |
|
| 264 | 4 | _c©1993 | |
| 300 | _a1 online resource (240 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 | _aTexas Pan American Series | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tPrependix -- _t1 Latin America`s New Historical Novel -- _t2 Mario Vargas Llosa`s War on Fanaticism -- _t3 Abel Posse`s Denunciation of Power -- _t4 The Instant Canonization of a Bakhtinian Symphony -- _t5 The Bolivar Quartette, or Varieties of Historical Fiction -- _t6 Bending the Ruled, or The Art of Subversion -- _t7 Over Two Thousand Years of Exile and Marginality — The Jewish Latin American Historical Novel -- _t8 La campaña by Carlos Fuentes -- _tNotes -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aBeginning with the 1979 publication of Alejo Carpentier's El arpa y la sombra, the New Historical Novel has become the dominant genre within Latin American fiction. In this at-times tongue-in-cheek postmodern study, Seymour Menton explores why the New Historical Novel has achieved such popularity and offers discerning readings of numerous works. Menton argues persuasively that the proximity of the Columbus Quincentennial triggered the rise of the New Historical Novel. After defining the historical novel in general, he identifies the distinguishing features of the New Historical Novel. Individual chapters delve deeply into such major works as Mario Vargas Llosa's La guerra del fin del mundo, Abel Posse's Los perros del paraíso, Gabriel García Márquez's El general en su laberinto, and Carlos Fuentes' La campaña. A chapter on the Jewish Latin American novel focuses on several works that deserve greater recognition, such as Pedro Orgambide's Aventuras de Edmund Ziller en tierras del Nuevo Mundo, Moacyr Scliar's A estranha nação de Rafael Mendes, and Angelina Muñiz's Tierra adentro. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) | |
| 650 | 7 |
_aLITERARY CRITICISM / General. _2bisacsh |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7560/751576 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780292761612 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292761612/original |
| 942 | _cEB | ||
| 999 |
_c188293 _d188293 |
||