000			03923nam a22004935i 4500
001			188358
003			IT-RoAPU
005			20221214232358.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220426t20211990txu fo d z eng d
020			_a9780292763807 _qPDF
024	7		_a10.7560/724631 _2doi
035			_a(DE-B1597)9780292763807
035			_a(DE-B1597)586887
035			_a(OCoLC)1280944412
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPQ7382.L85 1990
072		7	_aLIT000000 _2bisacsh
082	0	4	_a863
084			_aonline - DeGruyter
100	1		_aLuis, William _eautore
245	1	0	_aLiterary Bondage : _bSlavery in Cuban Narrative / _cWilliam Luis.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©1990
300			_a1 online resource (326 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aTexas Pan American Series
505	0	0	_tFrontmatter -- _tCONTENTS -- _tPREFACE -- _tINTRODUCTION. Fiction and Fact: The Antislavery Narrative and Blacks as Counter-Discourse in Cuban History -- _tONE. The Antislavery Narrative: Writing and the European Aesthetic -- _tTWO. Textual Multiplications Juan Francisco Manzano's Autobiografia and Cirilo Villaverde's Cecilia Valdes -- _tTHREE. Time in Fiction Francisco Calcagno's Rornualdo, uno de tantos and Aponte and Martin Morua Delgado's Sofia and La familia Unzuazu -- _tFOUR. Historical Fictions Displacement and Change—Lino Novas Calvo's El negrero and Alejo Carpentier's The Kingdom of This -- _tFIVE. I The Politics of Memory Miguel Barnet's The Autobiography of a Runaway Slave and Cesar Leante's Los guerrilleros negro -- _tSIX. Present and Future Antislavery Narratives Reinaldo Arenas's Graveyard of the Angels -- _tNOTES -- _tBIBLIOGRAPHY -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIn the nineteenth century, the Cuban economy rested on the twin pillars of sugar and slaves. Slavery was abolished in 1886, but, one hundred years later, Cuban authors were still writing antislavery narratives. William Luis explores this seeming paradox in his groundbreaking study Literary Bondage, asking why this literary genre has remained a viable means of expression. Applying Foucault's theory of counter-discourse to a vast body of antislavery literature, Luis shows how these narratives have always served to undermine the foundations of slavery, to protest the marginalized status of blacks in Cuban society, and to rewrite the canon of "acceptable" history and literature. He finds that emancipation did not end the need for such counter-discourse and reveals how the antislavery narrative continues to provide a forum for voices that have been silenced by the dominant culture. In addition to such well-known works as Cecilia Valdés, The Kingdom of This World, and The Autobiography of a Runaway Slave, Luis draws on many literary works outside the familiar canon, including Romualdo, uno de tantos, Aponte, Sofía La familia Unzúazu, El negrero, and Los guerrilleros negros. This comprehensive coverage raises important questions about the process of canon-formation and brings to light Cuba's rich heritage of Afro-Latin literature and culture.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650		7	_aLITERARY CRITICISM / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/724631
856	4	0	_uhttps://www.degruyter.com/isbn/9780292763807
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292763807/original
942			_cEB
999			_c188358 _d188358