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020 _a9780292772700
_qPDF
024 7 _a10.7560/736924
_2doi
035 _a(DE-B1597)9780292772700
035 _a(DE-B1597)588180
035 _a(OCoLC)1286807218
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPS476
_bC613 1967eb
072 7 _aMUS000000
_2bisacsh
082 0 4 _a784.4/976
_222
084 _aonline - DeGruyter
100 1 _aCombs, Josiah H.
_eautore
245 1 0 _aFolk-Songs of the Southern United States /
_cJosiah H. Combs; ed. by D.K. Wilgus.
264 1 _aAustin :
_bUniversity of Texas Press,
_c[2021]
264 4 _c©1967
300 _a1 online resource (282 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aAmerican Folklore Society Bibliographical and Special Series
505 0 0 _tFrontmatter --
_tFOREWORD --
_tPREFACE --
_tCONTENTS --
_tPART I --
_tCHAPTER I Topography of the Southern Highlands --
_tCHAPTER II Ancestry of the Highlanders --
_tCHAPTER III The Question of Origin or Authorship --
_tCHAPTER IV The Quest of the Folk-Song --
_tCHAPTER V An Attempt at Classification of Folk-Songs --
_tCHAPTER VI Songs of British Origin --
_tCHAPTER VII Native American Songs --
_tCHAPTER VIII The Highlander's Music --
_tCHAPTER IX The Passing of the Folk-Song --
_tBIBLIOGRAPHY --
_tPART II Songs of British Origin --
_tThe Broomfield Hill --
_tFair Annie --
_tThe Lass of Roch Royal --
_tPrince Robert --
_tWillie o Winsbury --
_tMary Hamilton --
_tBonnie James Campbell --
_tThe Rantin Laddie --
_tGet Up and Bar the Door --
_tThe Crafty Farmer --
_tThe Jovial Tinker --
_tThe Spanish Maid --
_tThe Old Wife --
_tKate and the Clothier --
_tThere Was a Sea Captain --
_tThe Jolly Boatsman --
_tThree Ships Came Sailing In --
_tThe Gowans Are Gay --
_tRyner Dyne --
_tPretty Polly --
_tSlago Town --
_tTo Cheer the Heart --
_tCome All Ye False Lovers --
_tRanting Roving Lad --
_tThe Soldier Bride's Lament --
_tWilliam Bluet --
_tNative American Songs --
_tBrave Wolfe --
_tFloyd Frazier --
_tTalt Hall --
_tJ. B. Marcum --
_tThe Tolliver Song --
_tThe Vance Song --
_tJohn Henry --
_tThe Irish Peddler --
_tPoor Goens --
_tRosanna --
_tWilliam Baker --
_tHiram Hubbert --
_tThe C.&O. Wreck --
_tPearl Bryan --
_tThe Auxville Love --
_tSweet Jane --
_tI' m Going To Join the Army --
_tJack Combs --
_tThe Black Mustache --
_tThe Married Man --
_tDavy Crockett --
_tThe Bugaboo --
_tThe Rich and Rambling Boy --
_tBob Sims --
_tCharles J. Guiteau --
_tBad Tom Smith --
_tEllen Smith --
_tMoonshiner --
_tThe Gambler --
_tJacob's Ladder --
_tThe Ship That Is Passing By --
_tWe Have Fathers Gone to Heaven --
_tWho Am Dat a-Walkin' in de Co'n? --
_tAPPENDIX --
_tAN ANNOTATED LIST OF THE JOSIAH H. COMBS COLLECTION OF SONGS AND RHYMES --
_tINDEX OF TITLES AND FIRST LINES OF SONG TEXTS
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _a“The spirit of balladry is not dead, but slowly dying. The instincts, sentiments, and feelings which it represents are indeed as immortal as romance itself, but their mode of expression, the folksong, is fighting with its back to the wall, with the odds against it in our introspective age.” This statement by Josiah Henry Combs is that of a man who grew up among the members of a singing family in one of the last strongholds of the ballad-making tradition, the Southern Highlands of the United States. Combs was born in 1886 in Hazard, Kentucky, the heart of the mountain feud area—a significant background for one who was to take a prominent part in the “ballad war” of the 1900s. Combs’s intimate knowledge of folk culture and his grasp of the scholarly literature enabled him to approach the ballad controversy with common sense as well as with some of the heat generated by the dispute. Although in the early twentieth century there was probably no more controversy about the nature of the folk and folksong than there is today, it was a different kind of controversy. Many theories of the origins of folksong current at that time, such as the alleged relationship of traditional ballads to “primitive poetry,” did not take into account contemporary evidence. Combs said, “Here as elsewhere, I go directly to the folk for much of my information, allowing the songs, language, names, customs . . . of the people to help settle the problem of ancestry. . . . In brief, a conscientious study of the lore of the folk cannot be separated from the folk itself.” Folk-Songs du Midi des États-Unis, published as a doctoral dissertation at the University of Paris in 1925, was an introduction to the study of the folksong of the Southern Appalachians, together with a selection of folksong texts collected by Combs. Folk-Songs of the Southern United States, the first publication of that work in English, is based on the French text and Combs’s English draft. To this edition is appended an annotated listing of all songs in the Josiah H. Combs Collection in the Western Kentucky Folklore Archive at the University of California, Los Angeles. The appendix also includes the texts of selected songs. The aim of this edition is to make the contents of the original volume more readily available in English and to provide an index to the Combs Collection that may be drawn upon by students of folksong. The book also offers texts of over fifty songs of British and American origin as sung in the Southern Highlands.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650 0 _aFolk poetry, American
_zSouthern States
_xHistory and criticism.
650 0 _aFolk poetry, American-Southern States-History and criticism.
650 0 _aFolk songs, English
_zUnited States.
650 0 _aPopular culture
_zSouthern States.
650 0 _aPopular culture-Southern States.
650 0 _aSouthern States-In literature.
650 7 _aMUSIC / General.
_2bisacsh
700 1 _aWilgus, D.K.
_ecuratore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7560/736924
856 4 0 _uhttps://www.degruyter.com/isbn/9780292772700
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780292772700/original
942 _cEB
999 _c188555
_d188555