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008			220426t20211975txu fo d z eng d
020			_a9780292772816 _qPDF
024	7		_a10.7560/724143 _2doi
035			_a(DE-B1597)9780292772816
035			_a(DE-B1597)587556
035			_a(OCoLC)1280943021
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT000000 _2bisacsh
082	0	4	_a823/.03
084			_aonline - DeGruyter
245	0	0	_aForms of Modern British Fiction / _ced. by Alan Warren Friedman.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©1975
300			_a1 online resource (256 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aSymposia in the Arts and the Humanities
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tOne. The Once and Future Age of Modernism: An Introduction -- _tTwo. Ethical Structures in John Galsworthy, Elizabeth Bowen, and Iris Murdoch -- _tThree. Fiction and Repetition: Tess of the d’Urbervilles -- _tFour. D. H. Lawrence’s Dualism: The Apollonian- Dionysian Polarity and The Ladybird -- _tFive. Stephen Dedalus and the Spiritual-Heroic Refrigerating Apparatus: Art and Life in Joyce’s Portrait -- _tSix. Virginia Woolf: Tradition and Modernity -- _tSeven. Fiction at the Edge of Poetry: Durrell, Beckett, Green -- _tAppendix: A Panel Discussion -- _tNotes on Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIn Forms of Modern British Fiction six individualistic and strongminded critics delineate the "age of modernism" in British fiction. Dating the age and the movement from later Hardy works through the deaths of Joyce and Woolf, they present British fiction as a cohesive, self-contained unit of literary history. Hardy appears as the first of the modern British novelists, Lawrence as the central, and Joyce and Woolf as the last. The writers and the modern movement are framed by precursors, such as Galsworthy, and by successors, Durrell, Beckett, and Henry Green—the postmoderns. The pattern of the essays suggests a growing self-consciousness on the part of twentieth-century writers as they seek not only to refine their predecessors but also to deny (and sometimes obliterate) them. The moderns thus deny the novel itself, a genre once firmly rooted in history and forms of social life. Their works do not assume that comfortable mimetic relationship between the fictive realities of art and life. Consequently, there has now evolved a poetics of the novel that is virtually identifiable with modern fiction, a poetics still highly problematical in its attempt to denote a medium in whose name eclectic innovativeness and incessant revitalizing are proclaimed. Forms of Modern British Fiction refines and advances the discussion of the modern novel and the world it and we inhabit.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650		0	_aEnglish fiction _y20th century _xHistory and criticism _vCongresses.
650		7	_aLITERARY CRITICISM / General. _2bisacsh
700	1		_aCowan, James C. _eautore
700	1		_aFleishman, Avrom _eautore
700	1		_aFriedman, Alan Warren _eautore _ecuratore
700	1		_aGindin, James _eautore
700	1		_aMiller, J. Hillis _eautore
700	1		_aRossman, Charles _eautore
700	1		_aUnterecker, John _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/724143
856	4	0	_uhttps://www.degruyter.com/isbn/9780292772816
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292772816/original
942			_cEB
999			_c188559 _d188559