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| 001 | 188566 | ||
| 003 | IT-RoAPU | ||
| 005 | 20240316185130.0 | ||
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| 008 | 240306t20141970txu fo d z eng d | ||
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_a9780292772953 _qPDF |
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| 024 | 7 |
_a10.7560/700543 _2doi |
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| 035 | _a(DE-B1597)9780292772953 | ||
| 035 | _a(DE-B1597)587013 | ||
| 035 | _a(OCoLC)1286807596 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT000000 _2bisacsh |
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| 082 | 0 | 4 |
_a861 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aRuben Dario Centennial Studies / _ced. by George D. Schade, Miguel Gonzalez-Gerth. |
| 264 | 1 |
_aAustin : _bUniversity of Texas Press, _c[2014] |
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| 264 | 4 | _c©1970 | |
| 300 | _a1 online resource (122 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tTable of Contents -- _tINTRODUCTION -- _tContributors -- _tInner Tensions in the Work of Rubén Darío -- _tThe Modernist Prefigurement in the Early Work of Rubén Darío -- _tRubén Darío and Valle-Inclán: The Story of A Literary Friendship -- _tRubén Darío: Classic Poet -- _tRubén Darío and the Fantastic Element in Literature -- _tBIOGRAPHICAL NOTES OF THE CONTRIBUTORS |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aRubén Darío (1867–1916), the undisputed standard-bearer of the Modernist movement in Hispanic letters, was born in Nicaragua. In 1886 he went to Chile, where he published Azul (1888), his first important book of poems and stories. Later he lived for extended periods in Argentina, Spain, and France, and in these countries produced his best work: compelling poems of beauty, style, and dignity, especially Cantos de vida y esperanza (1905). The perfection of form, exotic essences, and rich ornamentation of his earlier work give way in his most mature poems to self-probings and doubts, the anguish so characteristic of twentieth-century literature. But the hedonistic note, the quenchless appetite for life, dominating Azul and Prosas profanas (1896) never die out, and are magnificently present in El poema del otoño (1910). Darío has had a tremendous impact on Hispanic literature. He is one of the best examples of the poet who is true to his art as determined by his innermost impulses. His poetry has fertilized a whole generation of writers in Spanish America and in Spain, and even now his influence continues to be felt. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) | |
| 650 | 7 |
_aLITERARY CRITICISM / General. _2bisacsh |
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| 700 | 1 |
_aEnguídanos, Miguel _eautore |
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| 700 | 1 |
_aFlorit, Eugenio _eautore |
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| 700 | 1 |
_aGonzalez-Gerth, Miguel _ecuratore |
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| 700 | 1 |
_aImbert, Enrique _eautore |
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| 700 | 1 |
_aPhillips, Allen _eautore |
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| 700 | 1 |
_aRioseco, Arturo _eautore |
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| 700 | 1 |
_aSchade, George _eautore |
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| 700 | 1 |
_aSchade, George D. _ecuratore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7560/700543 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780292772953 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292772953/original |
| 942 | _cEB | ||
| 999 |
_c188566 _d188566 |
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