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008 220426t20211999txu fo d z eng d
020 _a9780292792692
_qPDF
024 7 _a10.7560/704893
_2doi
035 _a(DE-B1597)9780292792692
035 _a(DE-B1597)587488
035 _a(OCoLC)1280945306
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT000000
_2bisacsh
082 0 4 _a810.9/897
_221
084 _aonline - DeGruyter
100 1 _aAnderson, Eric Gary
_eautore
245 1 0 _aAmerican Indian Literature and the Southwest :
_bContexts and Dispositions /
_cEric Gary Anderson.
264 1 _aAustin :
_bUniversity of Texas Press,
_c[2021]
264 4 _c©1999
300 _a1 online resource (239 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIllustrations --
_tAcknowledgments --
_tIntroduction. Migration and Displacement in the American Southwest --
_t1. Mobile Homes: Migration and Resistance in American Indian Literature --
_t2. Unsettling Frontiers: Billy the Kid and the Outlaw Southwest --
_t3. Outlawing Apaches: Geronimo and Jason Betzinez --
_t4. Photography as Resistance in Almanac of the Dead --
_t5. Indian Detours, or, Where the Indians Aren't: Management and Preservation in the Euro-American Southwest --
_t6. Driven to Extraction: McTeague in the Desert --
_t7. Mary Austin, Sarah Winnemucca, and the Problems of Authority --
_t8. Cleaning out the House: Tom Outland, Dead Indians, and the First World War --
_t9. Krazy Kat I: Contexts and Crossings --
_t10. Krazy Kat II: Navajo Aesthetics --
_tConclusion. Cross-Purposes and Purposeful Crossings --
_tNotes --
_tWorks Cited --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aCulture-to-culture encounters between "natives" and "aliens" have gone on for centuries in the American Southwest—among American Indian tribes, between American Indians and Euro-Americans, and even, according to some, between humans and extraterrestrials at Roswell, New Mexico. Drawing on a wide range of cultural productions including novels, films, paintings, comic strips, and historical studies, this groundbreaking book explores the Southwest as both a real and a culturally constructed site of migration and encounter, in which the very identities of "alien" and "native" shift with each act of travel. Eric Anderson pursues his inquiry through an unprecedented range of cultural texts. These include the Roswell spacecraft myths, Leslie Marmon Silko's Almanac of the Dead, Wendy Rose's poetry, the outlaw narratives of Billy the Kid, Apache autobiographies by Geronimo and Jason Betzinez, paintings by Georgia O'Keeffe, New West history by Patricia Nelson Limerick, Frank Norris' McTeague, Mary Austin's The Land of Little Rain, Sarah Winnemucca's Life Among the Piutes, Willa Cather's The Professor's House, George Herriman's modernist comic strip Krazy Kat, and A. A. Carr's Navajo-vampire novel Eye Killers.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650 0 _aAmerican literature
_xIndian authors
_xHistory and criticism.
650 0 _aAmerican literature
_zSouthwest, New
_xHistory and criticism.
650 0 _aAmerican literature
_zSouthwestern States
_xHistory and criticism.
650 0 _aIndians in literature.
650 0 _aIndians of North America
_zSouthwestern States
_xIntellectual life.
650 7 _aLITERARY CRITICISM / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7560/704893
856 4 0 _uhttps://www.degruyter.com/isbn/9780292792692
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780292792692/original
942 _cEB
999 _c188647
_d188647