000			04036nam a22004935i 4500
001			188673
003			IT-RoAPU
005			20221214232410.0
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007			cr || ||||||||
008			220426t20222010txu fo d z eng d
019			_a(OCoLC)1302165533
020			_a9780292793002 _qPDF
024	7		_a10.7560/722088 _2doi
035			_a(DE-B1597)9780292793002
035			_a(DE-B1597)587219
035			_a(OCoLC)1301547968
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aSOC000000 _2bisacsh
082	0	4	_a306.4840972
084			_aonline - DeGruyter
100	1		_aGutiérrez, Laura G. _eautore
245	1	0	_aPerforming Mexicanidad : _bVendidas y Cabareteras on the Transnational Stage / _cLaura G. Gutiérrez.
264		1	_aAustin : _bUniversity of Texas Press, _c[2022]
264		4	_c©2010
300			_a1 online resource (272 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aChicana Matters
505	0	0	_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tINTRODUCTION. Unsettling Comforts -- _tPART ONE. REIMAGINING THE ARCHIVES OF FEMININITY AND SEXUALITY -- _tCHAPTER 1. Sexing Guadalupe in Transnational Double Crossings -- _tCHAPTER 2. Gender Parody, Political Satire, and Postmodern Rancheras -- _tCHAPTER 3. Fue en un cabaret -- _tPART TWO. CHICANA AND MEXICANA QUEER PERFORMATIVE INTERVENTIONS -- _tCHAPTER 4. Nao Bustamante’s “Bad-Girl” Aesthetics -- _tCHAPTER 5. Ximena Cuevas’s Critical Collages -- _tCODA. Transtortilleras -- _tNOTE -- _tWORKS CITE -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aUsing interdisciplinary performance studies and cultural studies frameworks, Laura G. Gutiérrez examines the cultural representation of queer sexuality in the contemporary cultural production of Mexican female and Chicana performance and visual artists. In particular, she locates the analytical lenses of feminist theory and queer theory in a central position to interrogate Mexican female dissident sexualities in transnational public culture. This is the first book-length study to wed performance studies and queer theory in examining the performative/performance work of important contemporary Mexicana and Chicana cultural workers. It proposes that the creations of several important artists—Chicana visual artist Alma López; the Mexican political cabareteras Astrid Hadad, Jesusa Rodríguez, Liliana Felipe, and Regina Orozco; the Chicana performance artist Nao Bustamante; and the Mexican video artist Ximena Cuevas—unsettle heterosexual national culture. In doing so, they are not only challenging heterosexist and nationalist discourses head-on, but are also participating in the construction of a queer world-making project. Treating the notion of dis-comfort as a productive category in these projects advances feminist and queer theories by offering an insightful critical movement suggesting that queer worlds are simultaneously spaces of desire, fear, and hope. Gutiérrez demonstrates how arenas formerly closed to female performers are now providing both an artistic outlet and a powerful political tool that crosses not only geographic borders but social, sexual, political, and class boundaries as well, and deconstructs the relationships among media, hierarchies of power, and the cultures of privilege.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650		7	_aSOCIAL SCIENCE / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/722088
856	4	0	_uhttps://www.degruyter.com/isbn/9780292793002
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292793002/original
942			_cEB
999			_c188673 _d188673