| 000 | 03584nam a22005055i 4500 | ||
|---|---|---|---|
| 001 | 188926 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232420.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220426t20212003txu fo d z eng d | ||
| 020 |
_a9780292796300 _qPDF |
||
| 024 | 7 |
_a10.7560/791558 _2doi |
|
| 035 | _a(DE-B1597)9780292796300 | ||
| 035 | _a(DE-B1597)586803 | ||
| 035 | _a(OCoLC)1286808834 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aPA3052 _b.W67 2002eb |
|
| 072 | 7 |
_aLIT000000 _2bisacsh |
|
| 082 | 0 | 4 |
_a880.9/001 _221 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aWorman, Nancy _eautore |
|
| 245 | 1 | 4 |
_aThe Cast of Character : _bStyle in Greek Literature / _cNancy Worman. |
| 264 | 1 |
_aAustin : _bUniversity of Texas Press, _c[2021] |
|
| 264 | 4 | _c©2003 | |
| 300 | _a1 online resource (288 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tLIST OF JOURNAL AND TEXTUAL ABBREVIATIONS -- _tINTRODUCTION -- _tCHAPTER 1 KOSMOS AND THE TYPICAL CASTS OF CHARACTER -- _tCHAPTER 2 ORAL PERFORMANCE, SPEECH TYPES, AND TYPICAL STYLES IN HOMER -- _tCHAPTER 3 VISIBLE TYPES AND VISUALIZING STYLES IN ARCHAIC POETRY -- _tCHAPTER 4 VERBAL MASQUERADE AND VISUAL IMPACT IN TRAGEDY -- _tCHAPTER 5 MANIPULATING THE SENSES IN RHETORICAL SET PIECES -- _tCONCLUSION -- _tNOTES -- _tBIBLIOGRAPHY -- _tGENERAL INDEX -- _tINDEX LOCORUM |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aWell before Aristotle's Rhetoric elucidated the elements of verbal style that give writing its persuasive power, Greek poets and prose authors understood the importance of style in creating compelling characters to engage an audience. And because their works were composed in predominantly oral settings, their sense of style included not only the characters' manner of speaking, but also their appearance and deportment. From Homeric epic to classical tragedy and oratory, verbal and visual cues work hand-in-hand to create distinctive styles for literary characters. In this book, Nancy Worman investigates the development and evolution of ideas about style in archaic and classical literature through a study of representations of Odysseus and Helen. She demonstrates that, as liars and imitators, pleasing storytellers, and adept users of costume, these two figures are especially skillful manipulators of style. In tracing the way literary representations of them changed through time—from Homer's positive portrayal of their subtle self-presentations to the sharply polarized portrayals of these same subtleties in classical tragedy and oratory—Worman also uncovers a nascent awareness among the Greek writers that style may be used not only to persuade but also to distract and deceive. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) | |
| 650 | 0 |
_aGreek language _xStyle. |
|
| 650 | 0 |
_aGreek literature _xHistory and criticism. |
|
| 650 | 7 |
_aLITERARY CRITICISM / General. _2bisacsh |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7560/791558 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780292796300 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292796300/original |
| 942 | _cEB | ||
| 999 |
_c188926 _d188926 |
||