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| 001 | 189040 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232425.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 220426t20212004txu fo d z eng d | ||
| 020 | _a9780292797635 _qPDF | ||
| 024 | 7 | _a10.7560/701809 _2doi | |
| 035 | _a(DE-B1597)9780292797635 | ||
| 035 | _a(DE-B1597)587695 | ||
| 035 | _a(OCoLC)1286806350 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aNB94 _b.S74 2004eb | |
| 072 | 7 | _aART000000 _2bisacsh | |
| 082 | 0 | 4 | _a733/.3 _221 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aStieber, Mary _eautore | |
| 245 | 1 | 4 | _aThe Poetics of Appearance in the Attic Korai / _cMary Stieber. | 
| 264 | 1 | _aAustin : _bUniversity of Texas Press, _c[2021] | |
| 264 | 4 | _c©2004 | |
| 300 | _a1 online resource (278 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tList of illustrations -- _tAcknowledgments -- _tList of abbreviations -- _tIntroduction. conceiving realism in archaic Greek art -- _tChapter one.Historiography -- _tChapter two. the reality of appearances -- _tChapter three the idea of likeness -- _tChapter four conTEXTualizing the Korai -- _tChapter five phrasikleia -- _tNotes -- _tReferences -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aSome of the loveliest works of Archaic art were the Athenian korai—sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B.C., they served as votives until Persians sacked the citadel in 480/79 B.C. Subsequently, they were buried as a group and forgotten for nearly twenty-four centuries, until archaeologists excavated them in the 1880s. Today, they are among the treasures of the Acropolis Museum. Mary Stieber takes a fresh look at the Attic korai in this book. Challenging the longstanding view that the sculptures are generic female images, she persuasively argues that they are instead highly individualized, mimetically realistic representations of Archaic young women, perhaps even portraits of real people. Marshalling a wide array of visual and literary evidence to support her claims, she shows that while the korai lack the naturalism that characterizes later Classical art, they display a wealth and realism of detail that makes it impossible to view them as generic, idealized images. This iconoclastic interpretation of the Attic korai adds a new dimension to our understanding of Archaic art and to the distinction between realism and naturalism in the art of all periods. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) | |
| 650 | 0 | _aInscriptions, Greek. | |
| 650 | 0 | _aKorai. | |
| 650 | 0 | _aPolychromy _zGreece _zAthens. | |
| 650 | 0 | _aVotive offerings _zGreece _zAthens. | |
| 650 | 7 | _aART / General. _2bisacsh | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7560/701809 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780292797635 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292797635/original | 
| 942 | _cEB | ||
| 999 | _c189040 _d189040 | ||