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020 _a9780292797970
_qPDF
024 7 _a10.7560/747180
_2doi
035 _a(DE-B1597)9780292797970
035 _a(DE-B1597)587762
035 _a(OCoLC)1280944719
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1996
_b.L39 2001
072 7 _aPER000000
_2bisacsh
082 0 4 _a808.2/3
084 _aonline - DeGruyter
100 1 _aLee, Lance
_eautore
245 1 2 _aA Poetics for Screenwriters /
_cLance Lee.
264 1 _aAustin :
_bUniversity of Texas Press,
_c[2021]
264 4 _c©2001
300 _a1 online resource (157 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_tI Context --
_tII Primary Plot Elements --
_tIII Dramatic Reality --
_tIV Storytelling Stance and Plot Types --
_tV Character --
_tVI Mind in Drama --
_tVII Spectacle and Other Elements --
_tVIII Developing and Filming the Story --
_tNotes --
_tScreenplay Author List
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWriting successful screenplays that capture the public imagination and richly reward the screenwriter requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial for writing a memorable movie. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method. Lee explores each aspect of screenwriting in detail. He covers primary plot elements, dramatic reality, storytelling stance and plot types, character, mind in drama, spectacle and other elements, and developing and filming the story. Relevant examples from dozens of American and foreign films, including Rear Window, Blue, Witness, The Usual Suspects, Virgin Spring, Fanny and Alexander, The Godfather, and On the Waterfront, as well as from dramas ranging from the Greek tragedies to the plays of Shakespeare and Ibsen, illustrate all of his points. This new overview of the dramatic art provides a highly useful update for all students and professionals who have tried to adapt the principles of Aristotle's Poetics to the needs of modern screenwriting. By explaining "why" good screenplays work, this book is the indispensable companion for all the "how-to" guides.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650 0 _aMotion picture authorship.
650 7 _aPERFORMING ARTS / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7560/747180
856 4 0 _uhttps://www.degruyter.com/isbn/9780292797970
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780292797970/original
942 _cEB
999 _c189065
_d189065