000			04328nam a22006255i 4500
001			189132
003			IT-RoAPU
005			20221214232428.0
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007			cr || ||||||||
008			220426t20212001txu fo d z eng d
020			_a9780292798854 _qPDF
024	7		_a10.7560/752504 _2doi
035			_a(DE-B1597)9780292798854
035			_a(DE-B1597)588543
035			_a(OCoLC)1286806790
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN1995.9.W6 _bR454 2001
072		7	_aPER000000 _2bisacsh
084			_aonline - DeGruyter
245	0	0	_aReel Knockouts : _bViolent Women in Film / _ced. by Neal King, Martha McCaughey.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©2001
300			_a1 online resource (291 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIllustrations -- _tAcknowledgments -- _tWhat’s a Mean Woman like You Doing in a Movie like This? -- _tPart I: Genre Films -- _t“If Her Stunning Beauty Doesn’t Bring You to Your Knees, Her Deadly Drop Kick Will” -- _tIf Looks Could Kill -- _tThe Gun and the Badge -- _tCaged Heat -- _tSharon Stone’s (An)Aesthetic -- _tPart II: New Bonds and New Communities -- _tSometimes Being a Bitch Is All a Woman Has to Hold On To -- _tWaiting to Set It Off -- _tThe Gun-in-the-Handbag, a Critical Controversy, and a Primal Scene -- _tAction Heroines and Female Viewers -- _tImagined Violence/Queer Violence -- _tAbout the Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aWhen Thelma and Louise outfought the men who had tormented them, women across America discovered what male fans of action movies have long known—the empowering rush of movie violence. Yet the duo's escapades also provoked censure across a wide range of viewers, from conservatives who felt threatened by the up-ending of women's traditional roles to feminists who saw the pair's use of male-style violence as yet another instance of women's co-option by the patriarchy. In the first book-length study of violent women in movies, Reel Knockouts makes feminist sense of violent women in films from Hollywood to Hong Kong, from top-grossing to direct-to-video, and from cop-action movies to X-rated skin flicks. Contributors from a variety of disciplines analyze violent women's respective places in the history of cinema, in the lives of viewers, and in the feminist response to male violence against women. The essays in part one, "Genre Films," turn to film cycles in which violent women have routinely appeared. The essays in part two, "New Bonds and New Communities," analyze movies singly or in pairs to determine how women's movie brutality fosters solidarity amongst the characters or their audiences. All of the contributions look at films not simply in terms of whether they properly represent women or feminist principles, but also as texts with social contexts and possible uses in the re-construction of masculinity and femininity.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650		0	_aViolence in motion pictures.
650		0	_aWomen in motion pictures.
650		7	_aPERFORMING ARTS / General. _2bisacsh
700	1		_aArons, Wendy _eautore
700	1		_aBrown, Jeffrey A. _eautore
700	1		_aDole, Carol M. _eautore
700	1		_aGrindstaff, Laura _eautore
700	1		_aHalberstam, Judith _eautore
700	1		_aKing, Neal _eautore _ecuratore
700	1		_aKnobloch, Susan _eautore
700	1		_aMcCaughey, Martha _eautore _ecuratore
700	1		_aMiller, Barbara L. _eautore
700	1		_aSpringer, Kimberly _eautore
700	1		_aVares, Tiina _eautore
700	1		_aWalters, Suzanna Danuta _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/752504
856	4	0	_uhttps://www.degruyter.com/isbn/9780292798854
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292798854/original
942			_cEB
999			_c189132 _d189132