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| 001 | 189177 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232430.0 | ||
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| 008 | 220426t20211998txu fo d z eng d | ||
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_a9780292799462 _qPDF |
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| 024 | 7 |
_a10.7560/708594 _2doi |
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| 035 | _a(DE-B1597)9780292799462 | ||
| 035 | _a(DE-B1597)586528 | ||
| 035 | _a(OCoLC)1280942992 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aMUS000000 _2bisacsh |
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| 082 | 0 | 4 |
_a781.65/3 _221 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBoyd, Jean A. _eautore |
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| 245 | 1 | 4 |
_aThe Jazz of the Southwest : _bAn Oral History of Western Swing / _cJean A. Boyd. |
| 264 | 1 |
_aAustin : _bUniversity of Texas Press, _c[2021] |
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| 264 | 4 | _c©1998 | |
| 300 | _a1 online resource (293 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tIntroduction: Western Swing and the Texas Mystique -- _tONE Western Swing: Description and Development -- _tTWO Western Swing Fiddlers -- _tTHREE Western Swing Guitarists -- _tFOUR The Steel Guitar in Western Swing -- _tFIVE The Western Swing Rhythm Section: Banjo and Bass -- _tSIX The Western Swing Rhythm Section: Piano and Drums -- _tSEVEN The Rest of the Western Swing Band: Horn Players and Vocalists -- _tConclusion -- _tNotes -- _tWorks Cited -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThey may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz! From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard. In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California. From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) | |
| 650 | 0 |
_aWestern swing (Music) _xHistory and criticism. |
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| 650 | 7 |
_aMUSIC / General. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7560/708594 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780292799462 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780292799462/original |
| 942 | _cEB | ||
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_c189177 _d189177 |
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