000 03695nam a22004815i 4500
001 189177
003 IT-RoAPU
005 20221214232430.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220426t20211998txu fo d z eng d
020 _a9780292799462
_qPDF
024 7 _a10.7560/708594
_2doi
035 _a(DE-B1597)9780292799462
035 _a(DE-B1597)586528
035 _a(OCoLC)1280942992
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aMUS000000
_2bisacsh
082 0 4 _a781.65/3
_221
084 _aonline - DeGruyter
100 1 _aBoyd, Jean A.
_eautore
245 1 4 _aThe Jazz of the Southwest :
_bAn Oral History of Western Swing /
_cJean A. Boyd.
264 1 _aAustin :
_bUniversity of Texas Press,
_c[2021]
264 4 _c©1998
300 _a1 online resource (293 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tPreface --
_tIntroduction: Western Swing and the Texas Mystique --
_tONE Western Swing: Description and Development --
_tTWO Western Swing Fiddlers --
_tTHREE Western Swing Guitarists --
_tFOUR The Steel Guitar in Western Swing --
_tFIVE The Western Swing Rhythm Section: Banjo and Bass --
_tSIX The Western Swing Rhythm Section: Piano and Drums --
_tSEVEN The Rest of the Western Swing Band: Horn Players and Vocalists --
_tConclusion --
_tNotes --
_tWorks Cited --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThey may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz! From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard. In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California. From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650 0 _aWestern swing (Music)
_xHistory and criticism.
650 7 _aMUSIC / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7560/708594
856 4 0 _uhttps://www.degruyter.com/isbn/9780292799462
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780292799462/original
942 _cEB
999 _c189177
_d189177