| 000 | 02948nam a22005775i 4500 | ||
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| 001 | 189762 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232452.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 190708s2009 mau fo d z eng d | ||
| 020 |
_a9780674040687 _qPDF |
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| 024 | 7 |
_a10.4159/9780674040687 _2doi |
|
| 035 | _a(DE-B1597)9780674040687 | ||
| 035 | _a(DE-B1597)457698 | ||
| 035 | _a(OCoLC)1049634388 | ||
| 035 | _a(OCoLC)1054879067 | ||
| 035 | _a(OCoLC)979621189 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aE185.6 | |
| 072 | 7 |
_aHIS036060 _2bisacsh |
|
| 082 | 0 | 4 |
_a305.896/073/09045 _222 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMartin, Waldo E. _eautore |
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| 245 | 1 | 0 |
_aNo Coward Soldiers : _bBlack Cultural Politics in Postwar America / _cWaldo E. Martin. |
| 264 | 1 |
_aCambridge, MA : _bHarvard University Press, _c[2009] |
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| 264 | 4 | _c©2005 | |
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aThe Nathan I. Huggins Lectures | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIllustrations -- _tAcknowledgments -- _tIntroduction: "Keep on Pushin'" -- _t1. "I, Too, Sing America" -- _t2. "Spirit in the Dark" -- _t3. "Be Real Black for Me" -- _tEpilogue: Black to the Future -- _tNotes -- _tCredits -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aIn a vibrant and passionate exploration of the twentieth-century civil rights and black power eras in American history, Martin uses cultural politics as a lens through which to understand the African-American freedom struggle. In the transformative postwar period, the intersection between culture and politics became increasingly central to the African-American fight for equality. In freedom songs, in the exuberance of an Aretha Franklin concert, in Faith Ringgold's exploration of race and sexuality, the personal and social became the political. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) | |
| 650 | 0 |
_aAfrican American arts _y20th century. |
|
| 650 | 0 |
_aAfrican Americans _xPolitics and government _y20th century. |
|
| 650 | 0 |
_aAfrican Americans _xPolitics and government. |
|
| 650 | 0 |
_aAfrican Americans _xRace identity. |
|
| 650 | 0 |
_aPolitics and culture _zUnited States _xHistory _y20th century. |
|
| 650 | 0 |
_aSocial sciences _vEthnic Studies _vAfrican American Studies. |
|
| 650 | 7 |
_aHISTORY / United States / 20th Century. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.4159/9780674040687 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9780674040687.jpg |
| 942 | _cEB | ||
| 999 |
_c189762 _d189762 |
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