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|---|---|---|---|
| 001 | 189955 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150309.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240826t20092009mau fo d z eng d | ||
| 020 | _a9780674044180 _qPDF | ||
| 024 | 7 | _a10.4159/9780674044180 _2doi | |
| 035 | _a(DE-B1597)9780674044180 | ||
| 035 | _a(DE-B1597)574310 | ||
| 035 | _a(OCoLC)1262307256 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aBF717 _b.S93 1997eb | |
| 072 | 7 | _aHIS036060 _2bisacsh | |
| 082 | 0 | 4 | _a155 _222 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aSutton-Smith, Brian _eautore | |
| 245 | 1 | 4 | _aThe Ambiguity of Play / _cBrian Sutton-Smith. | 
| 264 | 1 | _aCambridge, MA : _bHarvard University Press, _c[2009] | |
| 264 | 4 | _c2009 | |
| 300 | _a1 online resource (416 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tCONTENTS -- _tPreface -- _tAcknowledgments -- _t1 Play and Ambiguity -- _t2 Rhetorics of Animal Progress -- _t3 Rhetorics of Child Play -- _t4 Rhetorics of Fate -- _t5 Rhetorics of Power -- _t6 Rhetorics of Identity -- _t7 Child Power and Identity -- _t8 Rhetorics of the Imaginary -- _t9 Child Phantasmagoria -- _t10 Rhetorics of Self -- _t11 Rhetorics of Frivolity -- _t12 Conclusion -- _tBibliography -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aFrom the Pilgrims who settled at Plymouth Rock to Christian Coalition canvassers working for George W. Bush, Americans have long sought to integrate faith with politics. Few have been as successful as Hollywood evangelist Aimee Semple McPherson. During the years between the two world wars, McPherson was the most flamboyant and controversial minister in the United States. She built an enormously successful and innovative megachurch, established a mass media empire, and produced spellbinding theatrical sermons that rivaled Tinseltown's spectacular shows. As McPherson's power grew, she moved beyond religion into the realm of politics, launching a national crusade to fight the teaching of evolution in the schools, defend Prohibition, and resurrect what she believed was the United States' Christian heritage. Convinced that the antichrist was working to destroy the nation's Protestant foundations, she and her allies saw themselves as a besieged minority called by God to join the "old time religion" to American patriotism. Matthew Sutton's definitive study of Aimee Semple McPherson reveals the woman, most often remembered as the hypocritical vamp in Sinclair Lewis's Elmer Gantry, as a trail-blazing pioneer. Her life marked the beginning of Pentecostalism's advance from the margins of Protestantism to the mainstream of American culture. Indeed, from her location in Hollywood, McPherson's integration of politics with faith set precedents for the religious right, while her celebrity status, use of spectacle, and mass media savvy came to define modern evangelicalism. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | |
| 650 | 0 | _aJeu _xAspect psychologique. | |
| 650 | 0 | _aPlay _xPsychological aspects. | |
| 650 | 7 | _aHISTORY / United States / 20th Century. _2bisacsh | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.4159/9780674044180?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780674044180 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674044180/original | 
| 942 | _cEB | ||
| 999 | _c189955 _d189955 | ||