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008			230918t20091993mau fo d z eng d
020			_a9780674045163 _qPDF
024	7		_a10.4159/9780674045163 _2doi
035			_a(DE-B1597)9780674045163
035			_a(DE-B1597)574324
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aSOC008000 _2bisacsh
082	0	4	_a895.13509
084			_aonline - DeGruyter
245	0	0	_aFrom May Fourth to June Fourth : _bFiction and Film in Twentieth-Century China / / _ced. by David Der-wei Wang, Ellen Widmer.
264		1	_aCambridge, MA : : _bHarvard University Press, _c[2009]
264		4	_c©1993
300			_a1 online resource (458 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aHarvard Contemporary China Series ; ; _v9
505	0	0	_tFrontmatter -- _tContents -- _tPreface -- _tAcknowledgments -- _tIntroduction -- _tI Country and City -- _t1 Visitation of the Past in Han Shaogong's Post-1985 Fiction -- _t2 Past, Present, and Future in Mo Yan's Fiction of the 1980s -- _t3 Shen Congwen's Legacy in Chinese Literature of the 1980s -- _t4 Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping -- _t5 Urban Exoticism in Modern and Contemporary Chinese Literature -- _tII Subjectivity and Gender -- _t6 Text, Intertext, and the Representation of the Writing Self in Lu Xun, Yu Dafu, and Wang Meng -- _t7 Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature -- _t8 living in Sin: From May Fourth via the Antirightist Movement to the Present -- _tIII Narrative Voice and Cinematic Vision -- _t9 Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction -- _t10 lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese literature -- _t11 Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema -- _t12 Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children -- _tAfterword: Reflections on Change and Continuity in Modern Chinese Fiction -- _tNotes -- _tContributors
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aWhat do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity. Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China. Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China's unique historical context. The volume illustrates three general issues preoccupying this century's scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity. Table of Contents: Preface Acknowledgments Introduction David Der-wei Wang part:1 Country and City 1. Visitation of the Past in Han Shaogong's Post-1985 Fiction Joseph S. M. Lau 2. Past, Present, and Future in Mo Yan's Fiction of the 1980s Michael S. Duke 3. Shen Congwen's Legacy in Chinese Literature of the 1980s Jeffrey C. Kinkley 4. Imaginary Nostalgia: Shen Congwen, Song Zelai, Mo Yan, and Li Yongping David Der-wei Wang 5. Urban Exoticism in Modern and Contemporary Chinese Literature Heinrich Fruehauf part: 2 Subjectivity and Gender 6. Text, Intertext, and the Representation of the Writing Self in Lu Yun, Dafu,and Wang Meng Yi-tsi Mei Feuerwerker 7. Invention and Intervention: The Making of a Female Tradition in Modern Chinese Literature Lydia H. Liu 8. Living in Sin: From May Fourth via the Antirightist Movement to the Present Margaret H. Decker part: 3 Narrative Voice and Cinematic Vision 9. Lu Xun's Facetious Muse: The Creative Imperative in Modern Chinese Fiction Marston Anderson 10. Lives in Profile: On the Authorial Voice in Modern and Contemporary Chinese Literature Theodore Huters 11. Melodramatic Representation and the "May Fourth" Tradition of Chinese Cinema Paul G. Pickowicz 12. Male Narcissism and National Culture: Subjectivity in Chen Kaige's King of the Children Rey Chow Afterword: Reflections on Change and Continuity in Modern Chinese Fiction Leo Ou-fan Lee Notes Contributors From May Fourth to June Fourth will he warmly welcomed. It should be of great interest to all concerned with literary developments in the contemporary world on the one hand, and on the other with the enigmas surrounding China's alternating attempts to develop and to destroy herself as a civilization.--Cyril Birch, University of California, Berkeley
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023)
650		4	_aSOCIAL SCIENCE / Ethnic Studies / General _2sh.
700	1		_aAnderson, Marston _eautore
700	1		_aChow, Rey _eautore
700	1		_aDecker, Margaret H. _eautore
700	1		_aDuke, Michael S. _eautore
700	1		_aFeuerwerker, Yi-Tsi Mei _eautore
700	1		_aFruehauf, Heinrich _eautore
700	1		_aHuters, Theodore _eautore
700	1		_aKinkley, Jeffrey C. _eautore
700	1		_aLau, Joseph S. M. _eautore
700	1		_aLiu, Lydia H. _eautore
700	1		_aPickowicz, Paul G. _eautore
700	1		_aWang, David Der-Wei _eautore
700	1		_aWang, David Der-wei _ecuratore
700	1		_aWidmer, Ellen _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://www.degruyter.com/isbn/9780674045163
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674045163/original
942			_cEB
999			_c189997 _d189997