000			03680nam a22005535i 4500
001			190110
003			IT-RoAPU
005			20221214232506.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220629t20222010mau fo d z eng d
020			_a9780674056770 _qPDF
024	7		_a10.4159/9780674056770 _2doi
035			_a(DE-B1597)9780674056770
035			_a(DE-B1597)626015
035			_a(OCoLC)1312725981
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPR438.I67 _bP53 2010eb
072		7	_aLIT004120 _2bisacsh
082	0	4	_a820.9/004 _222
084			_aonline - DeGruyter
100	1		_aPicciotto, Joanna _eautore
245	1	0	_aLabors of Innocence in Early Modern England / _cJoanna Picciotto.
264		1	_aCambridge, MA : _bHarvard University Press, _c[2022]
264		4	_c©2010
300			_a1 online resource (880 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tIntroduction -- _tI. CONTEXTS -- _t1. Digging up the Hortus Conclusus -- _t2. A Union of Eyes and Hands -- _t3. The Productive Eye -- _t4. The Culture of Curiosity -- _tII. TEXTS -- _t5. Instruments of Truth -- _t6. Milton and the Paradizable Reader -- _t7. The Professional Observer -- _tNotes -- _tBibliography -- _tAcknowledgments -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIn seventeenth-century England, intellectuals of all kinds discovered their idealized self-image in the Adam who investigated, named, and commanded the creatures. Reinvented as the agent of innocent curiosity, Adam was central to the project of redefining contemplation as a productive and public labor. It was by identifying with creation’s original sovereign, Joanna Picciotto argues, that early modern scientists, poets, and pamphleteers claimed authority as both workers and “public persons.” Tracking an ethos of imitatio Adami across a wide range of disciplines and devotions, Picciotto reveals how practical efforts to restore paradise generated the modern concept of objectivity and a novel understanding of the author as an agent of estranged perception. Finally, she shows how the effort to restore Adam as a working collective transformed the corpus mysticum into a public. Offering new readings of key texts by writers such as Robert Hooke, John Locke, Andrew Marvell, Joseph Addison, and most of all John Milton, Labors of Innocence in Early Modern England advances a new account of the relationship between Protestantism, experimental science, the public sphere, and intellectual labor itself.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aEnglish literature _yEarly modern, 1500-1700 _xHistory and criticism.
650		0	_aIntellectuals in literature.
650		0	_aLabor in literature.
650		0	_aLiterature and science _zEngland _xHistory _y17th century.
650		0	_aReligion and science _zEngland _xHistory _y17th century.
650		0	_aScience _zEngland _xHistory _y17th century.
650		7	_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.4159/9780674056770
856	4	0	_uhttps://www.degruyter.com/isbn/9780674056770
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780674056770/original
942			_cEB
999			_c190110 _d190110