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020 _a9780674059290
_qPDF
024 7 _a10.4159/9780674059290
_2doi
035 _a(DE-B1597)9780674059290
035 _a(DE-B1597)583427
035 _a(OCoLC)1301547427
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aMUS020000
_2bisacsh
082 0 4 _a782.1092
_223
084 _aonline - DeGruyter
100 1 _aDreyfus, Laurence
_eautore
245 1 0 _aWagner and the Erotic Impulse /
_cLaurence Dreyfus.
264 1 _aCambridge, MA :
_bHarvard University Press,
_c[2011]
264 4 _c2012
300 _a1 online resource (288 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tPreface --
_tAbbreviations --
_t1. Echoes --
_t2. Intentions --
_t3. Harmonies --
_t4. Pathologies --
_t5. Homoerotics --
_tEpilogue --
_tAppendix: Musical Examples --
_tNotes --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThough his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813–1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner’s obsession with sexuality prefigured the composition of operas such as Tannhäuser, Die Walküre, Tristan und Isolde, and Parsifal.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)
650 0 _aOpera
_y19th century.
650 0 _aSex in opera.
650 7 _aMUSIC / History & Criticism.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.4159/9780674059290?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780674059290
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780674059290/original
942 _cEB
999 _c190145
_d190145